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National Film Vault

OFFICIAL FILM AUTHENTICATION BY CROWN GRADING
A
AUTHENTIC
CROWN CERTIFIED
Film cell NFV-000000006 Tap to enlarge
MOVIEPokemon: The First Movie Trailer
SCENECALLING ALL TRAINERS
FILM FORMAT35MM
YEAR1999
CERTIFICATE IDNFV-000000006
Film Record Public record
Directed by
Kunihiko Yuyama
Studio
OLM, Inc. · 75 min
Honors
Animation Kobe Theatrical Film Award — 1 winKids' Choice Award — 1 nomination
All 1 wins · 1 nominations on record
  • Animation Kobe Theatrical Film Award: Animation Kobe Theatrical Film Award
Scholarship
Named in the title of 1 peer-reviewed work
Examples
Sources: Wikidata · OpenAlex. The record of the motion picture, not an assessment of this cell.

FILM NOTES

Pokémon: The First Movie arrived in November 1999 as the franchise's leap from television and trading cards to American theaters, distributed by Warner Bros. after Nintendo and 4Kids built a licensing juggernaut around the pocket monster craze. Its opening weekend numbers stunned the industry, proving that a Japanese animated property could dominate mainstream box office charts. The film's mix of Mewtwo's origin story and a promotional short featuring Pikachu made it a cultural touchstone for a generation, cementing Pokémon as more than a passing fad and setting the template for anime crossover success in Western markets.

This cell carries no character imagery, only the phrase Calling All Trainers, marking it as a promotional or title card frame meant to summon the film's built-in audience directly. That phrase functioned as a rallying cry to the young trainers who collected cards and watched the series, positioning the movie as an event rather than ordinary entertainment. Collectors prize these text based cells because they capture the marketing language of the franchise's peak moment, the studio speaking straight to its fanbase before a single Pokémon appears on screen.

This original motion picture film element has been examined and authenticated by Crown Grading in partnership with National Film Vault, and encapsulated for archival preservation.
Why so little survivesRelease prints were leased to theaters, not sold. When the run ended they went back to the distributor to be destroyed, and most were. What collectors hold today came from the prints that escaped that order, and no new 35mm prints of these films are being struck.
CROWN SERIAL 000059316