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National Film Vault

OFFICIAL FILM AUTHENTICATION BY CROWN GRADING
A
AUTHENTIC
CROWN CERTIFIED
Film cell NFV-000000012 Tap to enlarge
MOVIEPokemon: The First Movie Trailer
SCENETRAINING IS OVER
FILM FORMAT35MM
YEAR1999
CERTIFICATE IDNFV-000000012
Film Record Public record
Directed by
Kunihiko Yuyama
Studio
OLM, Inc. · 75 min
Honors
Animation Kobe Theatrical Film Award — 1 winKids' Choice Award — 1 nomination
All 1 wins · 1 nominations on record
  • Animation Kobe Theatrical Film Award: Animation Kobe Theatrical Film Award
Scholarship
Named in the title of 1 peer-reviewed work
Examples
Sources: Wikidata · OpenAlex. The record of the motion picture, not an assessment of this cell.

FILM NOTES

Pokémon: The First Movie arrived in 1999 as Warner Bros. and Nintendo's bid to translate a television and trading-card phenomenon onto the big screen, pairing the anime's established cast with an original story centered on the genetically engineered Mewtwo. It became a genuine box office event, introducing American audiences to Pokémon's cinematic ambitions and cementing the franchise's crossover from Saturday morning programming into mainstream pop culture. For a certain generation, this was their first theatrical experience with the series, making surviving film elements from the release a touchstone of nineties collectibles.

This cell carries the phrase Training Is Over, a line tied directly to Mewtwo's arc and its rejection of servitude, a thematic pivot point in the film's central conflict. Cells bearing dialogue or thematic titles like this one typically originate from trailer reels or theatrical promotional prints, used to tease narrative stakes without revealing plot specifics. For collectors, this particular phrase resonates because it marks Mewtwo's declaration of autonomy, a defining moment for one of the franchise's most enduring and philosophically charged characters.

This original motion picture film element has been examined and authenticated by Crown Grading in partnership with National Film Vault, and encapsulated for archival preservation.
Why so little survivesRelease prints were leased to theaters, not sold. When the run ended they went back to the distributor to be destroyed, and most were. What collectors hold today came from the prints that escaped that order, and no new 35mm prints of these films are being struck.
CROWN SERIAL 000059322