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National Film Vault

OFFICIAL FILM AUTHENTICATION BY CROWN GRADING
A
AUTHENTIC
CROWN CERTIFIED
Film cell NFV-000000019 Tap to enlarge
MOVIEPokemon: The First Movie Trailer
SCENESeel
FILM FORMAT35MM
YEAR1999
CERTIFICATE IDNFV-000000019
Film Record Public record
Directed by
Kunihiko Yuyama
Studio
OLM, Inc. · 75 min
Honors
Animation Kobe Theatrical Film Award — 1 winKids' Choice Award — 1 nomination
All 1 wins · 1 nominations on record
  • Animation Kobe Theatrical Film Award: Animation Kobe Theatrical Film Award
Scholarship
Named in the title of 1 peer-reviewed work
Examples
Sources: Wikidata · OpenAlex. The record of the motion picture, not an assessment of this cell.

FILM NOTES

Pokémon: The First Movie arrived in 1999 as Warner Bros. and Nintendo's bid to translate the television phenomenon into a theatrical event, pairing Mewtwo Strikes Back with the short Pikachu's Vacation for American audiences. It became a box office success despite mixed critical reception, cementing Pokémon as a cultural force beyond its games and cards. The production drew on Japanese animation studio OLM, and its release marked one of the earliest major anime crossovers into mainstream Western cinema, introducing millions of children to dubbed Japanese animation through a single theatrical experience.

This cell carries the name Seel, the Sea Lion Pokémon known to longtime fans of the original 151. Seel appears within Pikachu's Vacation, the companion short bundled with the main feature, where a cast of Pokémon spend an episode away from their trainers. Collectors seek out cells tied to this short for their connection to that gentler, standalone segment of the release, distinct from the main Mewtwo narrative. A 35mm cell bearing a single Pokémon's name typically marks an individual frame drawn for that character's appearance, a physical artifact from the film's actual animation stock.

This original motion picture film element has been examined and authenticated by Crown Grading in partnership with National Film Vault, and encapsulated for archival preservation.
Why so little survivesRelease prints were leased to theaters, not sold. When the run ended they went back to the distributor to be destroyed, and most were. What collectors hold today came from the prints that escaped that order, and no new 35mm prints of these films are being struck.
CROWN SERIAL 000059329