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National Film Vault

OFFICIAL FILM AUTHENTICATION BY CROWN GRADING
A
AUTHENTIC
CROWN CERTIFIED
Film cell NFV-000000034 Tap to enlarge
MOVIEPokemon: The First Movie Trailer
SCENENovember 12
FILM FORMAT35MM
YEAR1999
CERTIFICATE IDNFV-000000034
Film Record Public record
Directed by
Kunihiko Yuyama
Studio
OLM, Inc. · 75 min
Honors
Animation Kobe Theatrical Film Award — 1 winKids' Choice Award — 1 nomination
All 1 wins · 1 nominations on record
  • Animation Kobe Theatrical Film Award: Animation Kobe Theatrical Film Award
Scholarship
Named in the title of 1 peer-reviewed work
Examples
Sources: Wikidata · OpenAlex. The record of the motion picture, not an assessment of this cell.

FILM NOTES

Pokémon: The First Movie arrived in November 1999 as Warner Bros. brought the Pokémon phenomenon to American theaters, translating the Japanese animated feature Mewtwo Strikes Back for a young audience already gripped by the trading card and television craze. It became a box office success, proving that the franchise's appeal extended well beyond handheld games and playground trades. The film's clash between Mewtwo and Mew, wrapped around themes of cloning and identity, gave the Pokémon universe an unusually somber core for a movie aimed at children, and it remains a touchstone for collectors who trace the brand's earliest cinematic ambitions.

This cell carries the date November 12, a marker most likely tied to the film's theatrical release window, placing it among artifacts documenting the exact moment Pokémon crossed into American movie houses. Cells noted by release dates rather than character or scene names typically come from trailer, title card, or promotional reels, items prized for anchoring a story to its precise cultural debut. For collectors, a dated fragment like this serves less as a narrative snapshot and more as a timestamp, a physical piece of the print that circulated when the movie first reached audiences.

This original motion picture film element has been examined and authenticated by Crown Grading in partnership with National Film Vault, and encapsulated for archival preservation.
Why so little survivesRelease prints were leased to theaters, not sold. When the run ended they went back to the distributor to be destroyed, and most were. What collectors hold today came from the prints that escaped that order, and no new 35mm prints of these films are being struck.
CROWN SERIAL 000059344