CrownGrading Pro
Ready to grade your cards? Submit Cards →
Crown Grading

National Film Vault

OFFICIAL FILM AUTHENTICATION BY CROWN GRADING
A
AUTHENTIC
CROWN CERTIFIED
Film cell NFV-000000044 Tap to enlarge
MOVIEPokemon: The First Movie
SCENEMewtwo And His Clones
FILM FORMAT35MM
YEAR1999
CERTIFICATE IDNFV-000000044
Film Record Public record
Directed by
Kunihiko Yuyama
Studio
OLM, Inc. · 75 min
Honors
Animation Kobe Theatrical Film Award — 1 winKids' Choice Award — 1 nomination
All 1 wins · 1 nominations on record
  • Animation Kobe Theatrical Film Award: Animation Kobe Theatrical Film Award
Scholarship
Named in the title of 1 peer-reviewed work
Examples
Sources: Wikidata · OpenAlex. The record of the motion picture, not an assessment of this cell.

FILM NOTES

Pokémon: The First Movie arrived in 1999 as Warner Bros. and Nintendo's push to bring the franchise to American theaters at the height of Pokémania, pairing the anime's television roots with a big-screen budget and a story built around cloning and identity. It became a box office phenomenon, introducing millions of young viewers to Mewtwo, a psychic Pokémon created rather than born, and setting the tone for how the series would handle darker themes within a children's property. Its success cemented Pokémon as a cinematic property beyond the games and cards.

This cell centers on Mewtwo and the clones it creates, the film's central conflict made visible in a single frame of celluloid. Mewtwo remains one of the franchise's most collected figures, prized for its origin as a synthetic being wrestling with purpose and belonging. A cell naming both Mewtwo and its clones together points to the movie's core setpiece, the confrontation between original and copy that drives the plot's emotional stakes. For collectors, this pairing represents the thematic heart of the film reduced to a single frame of animation history.

This original motion picture film element has been examined and authenticated by Crown Grading in partnership with National Film Vault, and encapsulated for archival preservation.
Why so little survivesRelease prints were leased to theaters, not sold. When the run ended they went back to the distributor to be destroyed, and most were. What collectors hold today came from the prints that escaped that order, and no new 35mm prints of these films are being struck.
CROWN SERIAL 000059354