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National Film Vault

OFFICIAL FILM AUTHENTICATION BY CROWN GRADING
A
AUTHENTIC
CROWN CERTIFIED
Film cell NFV-000000054 Tap to enlarge
MOVIEPokemon: The First Movie
SCENEMew Battling
FILM FORMAT35MM
YEAR1999
CERTIFICATE IDNFV-000000054
Film Record Public record
Directed by
Kunihiko Yuyama
Studio
OLM, Inc. · 75 min
Honors
Animation Kobe Theatrical Film Award — 1 winKids' Choice Award — 1 nomination
All 1 wins · 1 nominations on record
  • Animation Kobe Theatrical Film Award: Animation Kobe Theatrical Film Award
Scholarship
Named in the title of 1 peer-reviewed work
Examples
Sources: Wikidata · OpenAlex. The record of the motion picture, not an assessment of this cell.

FILM NOTES

Pokémon: The First Movie arrived in the summer of 1999 as Warner Bros. and Nintendo's bid to translate a television and trading card phenomenon into a theatrical event, pairing the Mewtwo origin story with a Pikachu short. It became a genuine box office force, introducing millions of young viewers to their first theatrical anime experience and cementing Pokémon as a cross-media juggernaut rather than a passing craze. For collectors of nineties franchise cinema, it stands as a hinge point where merchandising, television, and film distribution fused into a single cultural moment.

This cell centers on Mew, the elusive legendary Pokémon whose mythology drives the film's central conflict as the genetic template for Mewtwo. A frame marked Mew Battling captures the character in direct engagement rather than in a passive or promotional pose, a distinction prized by collectors seeking action-oriented material over static publicity stills. Mew's scarcity within the story, its role as origin point for the film's antagonist, and its enduring popularity across the franchise make any battling depiction a meaningful artifact, tying directly into the movie's core clash between nature and artificial creation.

This original motion picture film element has been examined and authenticated by Crown Grading in partnership with National Film Vault, and encapsulated for archival preservation.
Why so little survivesRelease prints were leased to theaters, not sold. When the run ended they went back to the distributor to be destroyed, and most were. What collectors hold today came from the prints that escaped that order, and no new 35mm prints of these films are being struck.
CROWN SERIAL 000059364