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National Film Vault

OFFICIAL FILM AUTHENTICATION BY CROWN GRADING
A
AUTHENTIC
CROWN CERTIFIED
Film cell NFV-000000202 Tap to enlarge
MOVIEPokemon: The First Movie Trailer
SCENEMewtwo & Mew
FILM FORMAT35MM
YEAR1999
CERTIFICATE IDNFV-000000202
Film Record Public record
Directed by
Kunihiko Yuyama
Studio
OLM, Inc. · 75 min
Honors
Animation Kobe Theatrical Film Award — 1 winKids' Choice Award — 1 nomination
All 1 wins · 1 nominations on record
  • Animation Kobe Theatrical Film Award: Animation Kobe Theatrical Film Award
Scholarship
Named in the title of 1 peer-reviewed work
Examples
Sources: Wikidata · OpenAlex. The record of the motion picture, not an assessment of this cell.

FILM NOTES

Pokémon: The First Movie arrived in theaters in 1999, a Warner Bros. release that brought Pikachu and company from Japanese television to American multiplexes at the height of Pokémania. Produced by 4Kids and adapted from the Japanese original, it was the franchise's first theatrical feature and a commercial phenomenon, drawing families and young collectors in numbers that studios had not anticipated. The film's central conflict, a genetically engineered Pokémon confronting the very idea of origin and purpose, gave the merchandising juggernaut an unexpected note of philosophical weight, and it remains a touchstone for a generation raised on the games and cards.

This cell pairs Mewtwo and Mew, the two Pokémon whose rivalry drives the film's story and its marketing. Mewtwo, the clone born of ambition, and Mew, the ancestral original, represent the movie's core question of identity, making any frame that unites them especially prized among collectors tracing the franchise's founding mythology. As a 35mm cell from this pairing, it stands as a physical fragment of that first theatrical run, a tangible link to the moment Pokémon crossed from screen to legend.

This original motion picture film element has been examined and authenticated by Crown Grading in partnership with National Film Vault, and encapsulated for archival preservation.
Why so little survivesRelease prints were leased to theaters, not sold. When the run ended they went back to the distributor to be destroyed, and most were. What collectors hold today came from the prints that escaped that order, and no new 35mm prints of these films are being struck.
CROWN SERIAL 000059512