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National Film Vault

OFFICIAL FILM AUTHENTICATION BY CROWN GRADING
A
AUTHENTIC
CROWN CERTIFIED
Film cell NFV-000000208 Tap to enlarge
MOVIEPokemon: The First Movie Trailer
SCENEMewtwo & Mew
FILM FORMAT35MM
YEAR1999
CERTIFICATE IDNFV-000000208
Film Record Public record
Directed by
Kunihiko Yuyama
Studio
OLM, Inc. · 75 min
Honors
Animation Kobe Theatrical Film Award — 1 winKids' Choice Award — 1 nomination
All 1 wins · 1 nominations on record
  • Animation Kobe Theatrical Film Award: Animation Kobe Theatrical Film Award
Scholarship
Named in the title of 1 peer-reviewed work
Examples
Sources: Wikidata · OpenAlex. The record of the motion picture, not an assessment of this cell.

FILM NOTES

Pokémon: The First Movie arrived in November 1999 as Warner Bros. and Nintendo's gamble on a Japanese phenomenon crossing over to American theaters, and the bet paid off enormously. Adapted from the anime feature Mewtwo Strikes Back, it introduced a generation of young viewers to their first taste of Pokémon storytelling on the big screen, pairing the craze of trading cards and Game Boy cartridges with a genuine theatrical event. Its opening weekend numbers stunned industry watchers, and the film became a defining artifact of late-90s children's entertainment, remembered as much for its cultural footprint as for its box office.

This cell centers on Mewtwo and Mew, the film's philosophical core and its most sought-after pairing among collectors. Mewtwo, the engineered clone born of ambition and isolation, stands against Mew, the ancient original from which it was made, and their shared presence together in a single frame carries the weight of the film's central conflict between artificial power and natural origin. For 35mm collectors, a piece featuring both figures together is a rare intersection point, capturing the movie's thematic heart in physical form.

This original motion picture film element has been examined and authenticated by Crown Grading in partnership with National Film Vault, and encapsulated for archival preservation.
Why so little survivesRelease prints were leased to theaters, not sold. When the run ended they went back to the distributor to be destroyed, and most were. What collectors hold today came from the prints that escaped that order, and no new 35mm prints of these films are being struck.
CROWN SERIAL 000059518