CrownGrading Pro
Ready to grade your cards? Submit Cards →
Crown Grading

National Film Vault

OFFICIAL FILM AUTHENTICATION BY CROWN GRADING
A
AUTHENTIC
CROWN CERTIFIED
Film cell NFV-000000370 Tap to enlarge
MOVIEGremlins 2
SCENEGREMLINS 2: The New Batch
FILM FORMAT35MM
YEAR1990
CERTIFICATE IDNFV-000000370
Film Record Public record
Directed by
Joe Dante
Studio
Amblin Entertainment · 106 min
Box office
$41.5M worldwide on a $50M budget
Scholarship
Named in the title of 5 peer-reviewed works
Examples
  • Gremlins 2: The New Batch, 1990
  • Le grand carnaval. Gremlins 2: The New Batch de Joe Dante Gremlins 2: The New Batch de Joe Dante — Images, 1990
  • Gremlins 2: The New Batch, Riiviöt 2 - uusi pesue (1990), 2016
  • Full list on OpenAlex
Sources: Wikidata · OpenAlex. The record of the motion picture, not an assessment of this cell.

FILM NOTES

Warner Bros. released Gremlins 2: The New Batch in 1990, six years after Joe Dante's original became a genre landmark. Made with a larger budget and considerably more freedom, the sequel moved the action into a high tech Manhattan tower and let Dante indulge his taste for self aware comedy and Looney Tunes style anarchy. It never matched the box office of its predecessor but has since earned a devoted following for its willingness to mock the very idea of a sequel, making it a favorite among collectors who value the era's unpredictable studio comedies.

This 35mm cell simply bears the film's own name, the kind of frame drawn from a title card or reel identifying section rather than a specific scene. Pieces like this are prized for their directness, offering a clean anchor to the production itself rather than a single character beat. For collectors building a Gremlins run, a title cell serves as a cornerstone piece, a straightforward marker of the film's identity within a larger set of frames devoted to its more chaotic cast.

This original motion picture film element has been examined and authenticated by Crown Grading in partnership with National Film Vault, and encapsulated for archival preservation.
Why so little survivesRelease prints were leased to theaters, not sold. When the run ended they went back to the distributor to be destroyed, and most were. What collectors hold today came from the prints that escaped that order, and no new 35mm prints of these films are being struck.
CROWN SERIAL 000059680