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National Film Vault

OFFICIAL FILM AUTHENTICATION BY CROWN GRADING
A
AUTHENTIC
CROWN CERTIFIED
Film cell NFV-000000372 Tap to enlarge
MOVIEGremlins 2
SCENEGREMLINS 2: The New Batch
FILM FORMAT35MM
YEAR1990
CERTIFICATE IDNFV-000000372
Film Record Public record
Directed by
Joe Dante
Studio
Amblin Entertainment · 106 min
Box office
$41.5M worldwide on a $50M budget
Scholarship
Named in the title of 5 peer-reviewed works
Examples
  • Gremlins 2: The New Batch, 1990
  • Le grand carnaval. Gremlins 2: The New Batch de Joe Dante Gremlins 2: The New Batch de Joe Dante — Images, 1990
  • Gremlins 2: The New Batch, Riiviöt 2 - uusi pesue (1990), 2016
  • Full list on OpenAlex
Sources: Wikidata · OpenAlex. The record of the motion picture, not an assessment of this cell.

FILM NOTES

Gremlins 2: The New Batch arrived in 1990 from Warner Bros., a sequel to Joe Dante's 1984 hit that took the premise somewhere stranger and funnier. Rather than repeat the small town scares of the original, Dante moved the mayhem into a Manhattan high rise, packed with media satire, meta gags, and a self aware sense of humor about sequels themselves. It never chased the original's box office numbers, but it earned a lasting cult following for its anarchic tone and inventive practical effects, cementing its place as one of the more unusual studio comedies of its decade.

This 35mm cell carries no scene description beyond its own name, presented plainly as GREMLINS 2: The New Batch. Cells like this typically come from title cards, trailer reels, or main title sequences, the kind of film artifact collectors seek precisely because it represents the film's identity rather than a single narrative beat. For a franchise built on mischief and self-parody, a title element carries weight simply by association, a tangible fragment of the print itself rather than an interpreted frame.

This original motion picture film element has been examined and authenticated by Crown Grading in partnership with National Film Vault, and encapsulated for archival preservation.
Why so little survivesRelease prints were leased to theaters, not sold. When the run ended they went back to the distributor to be destroyed, and most were. What collectors hold today came from the prints that escaped that order, and no new 35mm prints of these films are being struck.
CROWN SERIAL 000059682