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National Film Vault

OFFICIAL FILM AUTHENTICATION BY CROWN GRADING
A
AUTHENTIC
CROWN CERTIFIED
Film cell NFV-000000377 Tap to enlarge
MOVIEGremlins 2
SCENEBrain Gremlin
FILM FORMAT35MM
YEAR1990
CERTIFICATE IDNFV-000000377
Film Record Public record
Directed by
Joe Dante
Studio
Amblin Entertainment · 106 min
Box office
$41.5M worldwide on a $50M budget
Scholarship
Named in the title of 5 peer-reviewed works
Examples
  • Gremlins 2: The New Batch, 1990
  • Le grand carnaval. Gremlins 2: The New Batch de Joe Dante Gremlins 2: The New Batch de Joe Dante — Images, 1990
  • Gremlins 2: The New Batch, Riiviöt 2 - uusi pesue (1990), 2016
  • Full list on OpenAlex
Sources: Wikidata · OpenAlex. The record of the motion picture, not an assessment of this cell.

FILM NOTES

Gremlins 2: The New Batch arrived in 1990 from Warner Bros., a sequel Joe Dante used as license to satirize the very idea of sequels, corporate branding, and Hollywood spectacle itself. Made with a larger budget and freer creative rein than the original, it leaned harder into cartoonish anarchy and pop culture parody, becoming a cult favorite for its meta humor and technical showmanship. Rick Baker's creature effects pushed animatronics to new extremes, and the film's willingness to break the fourth wall cemented its reputation as one of the strangest studio sequels of its decade.

This cell preserves a frame of the Brain Gremlin, the standout creation of the sequel, a gremlin transformed into an articulate, intellectually inclined figure whose presence marks the film's most quoted and referenced stretch. Collectors seek this character above nearly any other in the Gremlins line for the sheer novelty of a monster given wit and voice, a rare instance of practical effects work carrying genuine personality. A 35mm frame from this segment captures a piece of the sequence most closely tied to the film's cult identity and its most memorable creature performance.

This original motion picture film element has been examined and authenticated by Crown Grading in partnership with National Film Vault, and encapsulated for archival preservation.
Why so little survivesRelease prints were leased to theaters, not sold. When the run ended they went back to the distributor to be destroyed, and most were. What collectors hold today came from the prints that escaped that order, and no new 35mm prints of these films are being struck.
CROWN SERIAL 000059687