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National Film Vault

OFFICIAL FILM AUTHENTICATION BY CROWN GRADING
A
AUTHENTIC
CROWN CERTIFIED
Film cell NFV-000000388 Tap to enlarge
MOVIEGremlins 2
SCENEGizmo Tied Up
FILM FORMAT35MM
YEAR1990
CERTIFICATE IDNFV-000000388
Film Record Public record
Directed by
Joe Dante
Studio
Amblin Entertainment · 106 min
Box office
$41.5M worldwide on a $50M budget
Scholarship
Named in the title of 5 peer-reviewed works
Examples
  • Gremlins 2: The New Batch, 1990
  • Le grand carnaval. Gremlins 2: The New Batch de Joe Dante Gremlins 2: The New Batch de Joe Dante — Images, 1990
  • Gremlins 2: The New Batch, Riiviöt 2 - uusi pesue (1990), 2016
  • Full list on OpenAlex
Sources: Wikidata · OpenAlex. The record of the motion picture, not an assessment of this cell.

FILM NOTES

Gremlins 2: The New Batch arrived in 1990 from Warner Bros., a sequel Joe Dante used to satirize the very idea of sequels, setting the action inside a Manhattan skyscraper stuffed with media and marketing gags. Coming six years after the original's success, it never matched that film's box office, but it built a devoted cult following for its anarchic self-awareness and puppetry craftsmanship. Rick Baker's creature effects team pushed the gremlin designs further, and the film remains a touchstone for practical effects collectors and fans of Dante's subversive studio satire.

Gizmo, the good-natured Mogwai at the heart of both films, is the character every gremlin collector wants above all else, and any 35mm cell bearing him carries particular weight given how sparingly he appears compared to his chaotic offspring. A moment described as Gizmo Tied Up suggests one of the film's captivity or peril beats for the character, consistent with the sequel's plot mechanics involving corporate testing and mishandling of the Mogwai. A frame like this preserves a specific narrative beat straight from the theatrical print.

This original motion picture film element has been examined and authenticated by Crown Grading in partnership with National Film Vault, and encapsulated for archival preservation.
Why so little survivesRelease prints were leased to theaters, not sold. When the run ended they went back to the distributor to be destroyed, and most were. What collectors hold today came from the prints that escaped that order, and no new 35mm prints of these films are being struck.
CROWN SERIAL 000059698