Named in the title of 3 peer-reviewed works
Examples
La Force est avec George! Star Wars : Episode II — Attack of the Clones Star Wars : Episode II — Attack of the Clones — Ciné-Bulles : Le cinéma d’auteur avant tout, 2002
Star Wars Episode II Attack of the Clones (Motion picture) — Sight & sound/Sight and sound, 2002
La Force est avec George! / Star Wars : Episode II — Attack of the Clones — Ciné-Bulles : Le cinéma d’auteur avant tout, 2002
Sources: Wikidata · OpenAlex · Library of Congress. The record of the motion picture, not an assessment of this cell.
FILM NOTES
Released by 20th Century Fox in 2002, Attack of the Clones marked George Lucas's return to directing after more than two decades, continuing the prequel trilogy he began with The Phantom Menace. The film pushed digital filmmaking further than any major studio release before it, shot entirely on high-definition video, and expanded the galaxy's political intrigue toward the Clone Wars that would define the saga's middle chapters. It remains a touchstone for the era when blockbuster production shifted decisively from film stock to digital capture.
This cell preserves a strip of 35mm from a print bearing Anakin Skywalker's name, the young Jedi apprentice whose arc from promise to tragedy anchors the prequel films and drives enduring collector interest across the franchise. A cell identified simply by character name typically comes from footage tied directly to his screen presence in this installment, the chapter where his impatience, longing, and turn toward darker instincts first take clear shape. For collectors, such a piece represents a physical fragment of that transformation, a tangible link to the character's most consequential on-screen evolution within the saga.
This original motion picture film element has been examined and authenticated by Crown Grading in partnership with National Film Vault, and encapsulated for archival preservation.
Why so little survivesRelease prints were leased to theaters, not sold. When the run ended they went back to the distributor to be destroyed, and most were. What collectors hold today came from the prints that escaped that order, and no new 35mm prints of these films are being struck.