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National Film Vault

OFFICIAL FILM AUTHENTICATION BY CROWN GRADING
A
AUTHENTIC
CROWN CERTIFIED
Film cell NFV-000000566 Tap to enlarge
MOVIEThe Crocodile Hunter: Collision Course
SCENETHE CROCODILE HUNTER
FILM FORMAT35MM
YEAR2002
CERTIFICATE IDNFV-000000566
Film Record Public record
Directed by
John Stainton
Studio
Animal Planet · Animal Logic · Terri Irwin · 90 min
Scholarship
Named in the title of 1 peer-reviewed work
Examples
  • The Crocodile Hunter Collision Course (Film) — Sight & sound/Sight and sound, 2002
  • Full list on OpenAlex
Library of Congress
Catalog authorities the Library keeps for what appears in this film
Sources: Wikidata · OpenAlex · Library of Congress. The record of the motion picture, not an assessment of this cell.

FILM NOTES

Released in 2002 by MGM, The Crocodile Hunter: Collision Course brought Steve Irwin's television persona to the big screen, pairing his wildlife documentary energy with a fictional chase plot. It marked one of the few theatrical vehicles built around a nonfiction personality of that era, capitalizing on the global popularity of Animal Planet's Crocodile Hunter series. For a period, it stood as a crossover experiment between reality television fame and studio filmmaking, notable for bringing an internationally recognized conservationist into a scripted comedy adventure format.

This cell centers on Steve Irwin himself, credited here simply as the Crocodile Hunter, the role that defined his screen identity. Collectors seek this frame for its direct link to Irwin's singular public image, preserved permanently in celluloid rather than broadcast tape. As a piece pulled from the film's identity, it likely comes from an early sequence, trailer cut, or credits moment establishing his character before the fictional plot unfolds. It represents a rare physical artifact of a media figure whose legacy exists mostly through video archives.

This original motion picture film element has been examined and authenticated by Crown Grading in partnership with National Film Vault, and encapsulated for archival preservation.
Why so little survivesRelease prints were leased to theaters, not sold. When the run ended they went back to the distributor to be destroyed, and most were. What collectors hold today came from the prints that escaped that order, and no new 35mm prints of these films are being struck.
CROWN SERIAL 000059876