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National Film Vault

OFFICIAL FILM AUTHENTICATION BY CROWN GRADING
A
AUTHENTIC
CROWN CERTIFIED
Film cell NFV-000000567 Tap to enlarge
MOVIEThe Crocodile Hunter: Collision Course
SCENETHE CROCODILE HUNTER
FILM FORMAT35MM
YEAR2002
CERTIFICATE IDNFV-000000567
Film Record Public record
Directed by
John Stainton
Studio
Animal Planet · Animal Logic · Terri Irwin · 90 min
Scholarship
Named in the title of 1 peer-reviewed work
Examples
  • The Crocodile Hunter Collision Course (Film) — Sight & sound/Sight and sound, 2002
  • Full list on OpenAlex
Library of Congress
Catalog authorities the Library keeps for what appears in this film
Sources: Wikidata · OpenAlex · Library of Congress. The record of the motion picture, not an assessment of this cell.

FILM NOTES

*The Crocodile Hunter: Collision Course* arrived in 2002 through MGM, built around the enormous television popularity of Steve and Terri Irwin's wildlife programming. The film translated their Animal Planet success into a theatrical feature, blending documentary-style animal encounters with a loose action plot. It stands as a snapshot of a particular moment in pop culture, when Irwin's boundless enthusiasm for dangerous creatures made him an international icon, and the film capitalized on that recognition before his death in 2006 gave the footage a more poignant resonance.

This cell centers on Steve Irwin himself, the figure whose name and persona anchor the entire production. Collectors seek him out because he is the film's true subject, the personality driving its appeal far more than any scripted narrative. A 35mm cell bearing his name alone suggests a moment built entirely around his presence, likely drawn from footage meant to showcase him directly to audiences, whether in the film's proper or in promotional material designed to sell the Crocodile Hunter brand to moviegoers.

This original motion picture film element has been examined and authenticated by Crown Grading in partnership with National Film Vault, and encapsulated for archival preservation.
Why so little survivesRelease prints were leased to theaters, not sold. When the run ended they went back to the distributor to be destroyed, and most were. What collectors hold today came from the prints that escaped that order, and no new 35mm prints of these films are being struck.
CROWN SERIAL 000059877