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National Film Vault

OFFICIAL FILM AUTHENTICATION BY CROWN GRADING
A
AUTHENTIC
CROWN CERTIFIED
Film cell NFV-000000570 Tap to enlarge
MOVIEThe Crocodile Hunter: Collision Course
SCENESteve Irwin
FILM FORMAT35MM
YEAR2002
CERTIFICATE IDNFV-000000570
Film Record Public record
Directed by
John Stainton
Studio
Animal Planet · Animal Logic · Terri Irwin · 90 min
Scholarship
Named in the title of 1 peer-reviewed work
Examples
  • The Crocodile Hunter Collision Course (Film) — Sight & sound/Sight and sound, 2002
  • Full list on OpenAlex
Library of Congress
Catalog authorities the Library keeps for what appears in this film
Sources: Wikidata · OpenAlex · Library of Congress. The record of the motion picture, not an assessment of this cell.

FILM NOTES

FILM NOTES

The Crocodile Hunter: Collision Course arrived in 2002 from MGM, built around Steve Irwin's already-massive television persona and produced with his wife Terri and their Animal Planet team. It marked Irwin's leap from cable documentary star to feature film lead, wrapping a loose spy-comedy plot around his genuine wildlife work in the Australian outback. The film capitalized on his global popularity at its peak, offering audiences a theatrical dose of his enthusiastic, hands-on style before tragedy would end his life four years later, cementing this release as a rare big-screen showcase of his singular public identity.

This cell preserves Steve Irwin himself, the figure whose name alone drove the picture's box office appeal and who remains the central draw for collectors of this reel. As a solo character strip, it isolates the man rather than any scripted scene, making it a straightforward artifact of his screen presence in the film that carried his name to theaters worldwide. For collectors, holding a fragment marked simply with his identity connects directly to the larger cultural legacy he built through decades of television work, now permanently tied to this one cinematic outing.

This original motion picture film element has been examined and authenticated by Crown Grading in partnership with National Film Vault, and encapsulated for archival preservation.
Why so little survivesRelease prints were leased to theaters, not sold. When the run ended they went back to the distributor to be destroyed, and most were. What collectors hold today came from the prints that escaped that order, and no new 35mm prints of these films are being struck.
CROWN SERIAL 000059880