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National Film Vault

OFFICIAL FILM AUTHENTICATION BY CROWN GRADING
A
AUTHENTIC
CROWN CERTIFIED
Film cell NFV-000000571 Tap to enlarge
MOVIEThe Crocodile Hunter: Collision Course
SCENESteve Irwin
FILM FORMAT35MM
YEAR2002
CERTIFICATE IDNFV-000000571
Film Record Public record
Directed by
John Stainton
Studio
Animal Planet · Animal Logic · Terri Irwin · 90 min
Scholarship
Named in the title of 1 peer-reviewed work
Examples
  • The Crocodile Hunter Collision Course (Film) — Sight & sound/Sight and sound, 2002
  • Full list on OpenAlex
Library of Congress
Catalog authorities the Library keeps for what appears in this film
Sources: Wikidata · OpenAlex · Library of Congress. The record of the motion picture, not an assessment of this cell.

FILM NOTES

FILM NOTES

Released in 2002 by MGM, The Crocodile Hunter: Collision Course brought Steve Irwin's television persona to the big screen, blending his Animal Planet documentary style with a fictional chase plot involving a wayward crocodile and bumbling CIA operatives. It capitalized on Irwin's global popularity as a wildlife entertainer, marking one of the few theatrical vehicles built around a nonfiction television star. The film served as both an introduction to newcomers and a feature-length love letter to fans of the Crocodile Hunter series, cementing Irwin's crossover appeal at the height of his fame.

This 35mm cell carries Steve Irwin himself, the figure whose name and persona anchored the entire production. As the film's central draw, any frame bearing his likeness holds particular value for collectors of wildlife television history and early 2000s pop culture ephemera. Because Irwin's public image was inseparable from enthusiasm and hands-on engagement with animals, a cell under his name naturally aligns with that spirit. Whether drawn from a promotional reel, title sequence, or narrative footage, this piece represents a physical fragment of the man's singular cinematic legacy.

This original motion picture film element has been examined and authenticated by Crown Grading in partnership with National Film Vault, and encapsulated for archival preservation.
Why so little survivesRelease prints were leased to theaters, not sold. When the run ended they went back to the distributor to be destroyed, and most were. What collectors hold today came from the prints that escaped that order, and no new 35mm prints of these films are being struck.
CROWN SERIAL 000059881