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National Film Vault

OFFICIAL FILM AUTHENTICATION BY CROWN GRADING
A
AUTHENTIC
CROWN CERTIFIED
Film cell NFV-000000574 Tap to enlarge
MOVIEThe Crocodile Hunter: Collision Course
SCENESteve Irwin
FILM FORMAT35MM
YEAR2002
CERTIFICATE IDNFV-000000574
Film Record Public record
Directed by
John Stainton
Studio
Animal Planet · Animal Logic · Terri Irwin · 90 min
Scholarship
Named in the title of 1 peer-reviewed work
Examples
  • The Crocodile Hunter Collision Course (Film) — Sight & sound/Sight and sound, 2002
  • Full list on OpenAlex
Library of Congress
Catalog authorities the Library keeps for what appears in this film
Sources: Wikidata · OpenAlex · Library of Congress. The record of the motion picture, not an assessment of this cell.

FILM NOTES

FILM NOTES

MGM released The Crocodile Hunter: Collision Course in 2002, bringing Steve Irwin's television persona to the multiplex at the height of his global popularity. Produced with backing from John Stainton and built around Irwin's Animal Planet fame, the film paired wildlife documentary footage with a fictional chase plot, aiming to capture family audiences who already knew him from Crocodile Hunter broadcasts. It stands as a curious crossover artifact, a theatrical vehicle for a television naturalist whose energetic screen presence made him one of the most recognizable figures in early 2000s pop culture, and remains his only theatrical starring role.

This cell preserves a strip from the film's Steve Irwin footage, the man himself rather than a supporting player, which is precisely why collectors seek it out. Irwin material from this production carries particular weight given the brevity of his film career and his death in 2006, making any physical frame a tangible link to his one cinematic outing. As a straightforward character cell rather than a title card or credits sequence, it represents Irwin as he appeared to audiences, the central draw of the picture and the reason the film exists at all.

This original motion picture film element has been examined and authenticated by Crown Grading in partnership with National Film Vault, and encapsulated for archival preservation.
Why so little survivesRelease prints were leased to theaters, not sold. When the run ended they went back to the distributor to be destroyed, and most were. What collectors hold today came from the prints that escaped that order, and no new 35mm prints of these films are being struck.
CROWN SERIAL 000059884