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National Film Vault

OFFICIAL FILM AUTHENTICATION BY CROWN GRADING
A
AUTHENTIC
CROWN CERTIFIED
Film cell NFV-000000575 Tap to enlarge
MOVIEThe Crocodile Hunter: Collision Course
SCENESteve Irwin
FILM FORMAT35MM
YEAR2002
CERTIFICATE IDNFV-000000575
Film Record Public record
Directed by
John Stainton
Studio
Animal Planet · Animal Logic · Terri Irwin · 90 min
Scholarship
Named in the title of 1 peer-reviewed work
Examples
  • The Crocodile Hunter Collision Course (Film) — Sight & sound/Sight and sound, 2002
  • Full list on OpenAlex
Library of Congress
Catalog authorities the Library keeps for what appears in this film
Sources: Wikidata · OpenAlex · Library of Congress. The record of the motion picture, not an assessment of this cell.

FILM NOTES

FILM NOTES

MGM released The Crocodile Hunter: Collision Course in 2002, bringing Steve Irwin's Animal Planet persona to theatrical scale with backing from John Stainton and the Best family production team. Built around Irwin's real-life wildlife wrangling and paired with a loose espionage plot, the film served as a big-screen extension of the Crocodile Hunter television brand at the height of its popularity, introducing Irwin's enthusiasm and conservation message to a wider audience beyond cable documentary viewers.

This cell carries Steve Irwin himself, the figure whose name became inseparable from the franchise and whose presence anchors any collection touching this title. Frames drawn from the film's identifying moments are prized by collectors precisely because they preserve the man rather than a supporting player or setpiece, tying the physical reel directly to his public identity. A 35MM cell of this kind typically originates from release or trailer stock, meant to circulate as a marketing artifact, making it a tangible fragment of how audiences first encountered Irwin on the big screen.

This original motion picture film element has been examined and authenticated by Crown Grading in partnership with National Film Vault, and encapsulated for archival preservation.
Why so little survivesRelease prints were leased to theaters, not sold. When the run ended they went back to the distributor to be destroyed, and most were. What collectors hold today came from the prints that escaped that order, and no new 35mm prints of these films are being struck.
CROWN SERIAL 000059885