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National Film Vault

OFFICIAL FILM AUTHENTICATION BY CROWN GRADING
A
AUTHENTIC
CROWN CERTIFIED
Film cell NFV-000000576 Tap to enlarge
MOVIEThe Crocodile Hunter: Collision Course
SCENETerri Irwin
FILM FORMAT35MM
YEAR2002
CERTIFICATE IDNFV-000000576
Film Record Public record
Directed by
John Stainton
Studio
Animal Planet · Animal Logic · Terri Irwin · 90 min
Scholarship
Named in the title of 1 peer-reviewed work
Examples
  • The Crocodile Hunter Collision Course (Film) — Sight & sound/Sight and sound, 2002
  • Full list on OpenAlex
Library of Congress
Catalog authorities the Library keeps for what appears in this film
Sources: Wikidata · OpenAlex · Library of Congress. The record of the motion picture, not an assessment of this cell.

FILM NOTES

FILM NOTES

The Crocodile Hunter: Collision Course arrived in 2002 through MGM, extending the Animal Planet phenomenon built around Steve Irwin into a theatrical feature. Produced with John Stainton, the film paired wildlife documentary energy with a loose spy-comedy plot, capitalizing on Irwin's global popularity at the height of his fame. It stands as a snapshot of early-2000s crossover entertainment, when television personalities pushed into multiplexes, and it remains a marker of the Crocodile Hunter brand before Irwin's death in 2006 gave the whole project added poignancy for fans and collectors alike.

This cell preserves Terri Irwin, co-star and real-life partner of Steve Irwin, whose presence grounds the film's blend of family adventure and genuine conservation partnership. Collectors seek her frames for the rarity of screen material centered on her rather than Steve, offering a companion piece within the same production. As a standalone 35MM cell, it functions like a title card or credits fragment, a fixed frame pulled from the larger reel, valued not for surrounding context but for its direct link to the person and the era it represents.

This original motion picture film element has been examined and authenticated by Crown Grading in partnership with National Film Vault, and encapsulated for archival preservation.
Why so little survivesRelease prints were leased to theaters, not sold. When the run ended they went back to the distributor to be destroyed, and most were. What collectors hold today came from the prints that escaped that order, and no new 35mm prints of these films are being struck.
CROWN SERIAL 000059886