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National Film Vault

OFFICIAL FILM AUTHENTICATION BY CROWN GRADING
A
AUTHENTIC
CROWN CERTIFIED
Film cell NFV-000000577 Tap to enlarge
MOVIEThe Crocodile Hunter: Collision Course
SCENESteve Irwin With A Tarantula
FILM FORMAT35MM
YEAR2002
CERTIFICATE IDNFV-000000577
Film Record Public record
Directed by
John Stainton
Studio
Animal Planet · Animal Logic · Terri Irwin · 90 min
Scholarship
Named in the title of 1 peer-reviewed work
Examples
  • The Crocodile Hunter Collision Course (Film) — Sight & sound/Sight and sound, 2002
  • Full list on OpenAlex
Library of Congress
Catalog authorities the Library keeps for what appears in this film
Sources: Wikidata · OpenAlex · Library of Congress. The record of the motion picture, not an assessment of this cell.

FILM NOTES

Released in 2002 by MGM and Metro-Goldwyn-Mayer Pictures, The Crocodile Hunter: Collision Course brought Steve Irwin's television persona to the big screen, pairing his wildlife documentary energy with a fictional spy-comedy plot. The film capitalized on the massive popularity of Irwin's Animal Planet series and introduced his enthusiastic, hands-on approach to wildlife encounters to a theatrical audience. It stands as a snapshot of early 2000s nature entertainment, blending genuine animal footage with scripted adventure, and remains a notable piece of Irwin's screen legacy following his death in 2006.

This cell preserves a moment with Steve Irwin and a tarantula, a pairing that speaks directly to his signature style of close, fearless interaction with creatures most people avoid. Collectors seek Irwin material for his enduring cultural presence and the rarity of theatrical film cells tied to his brief cinematic career. A single frame like this represents his hallmark blend of respect and curiosity toward wildlife, distilled into one physical artifact from a film that captured his approach for movie audiences.

This original motion picture film element has been examined and authenticated by Crown Grading in partnership with National Film Vault, and encapsulated for archival preservation.
Why so little survivesRelease prints were leased to theaters, not sold. When the run ended they went back to the distributor to be destroyed, and most were. What collectors hold today came from the prints that escaped that order, and no new 35mm prints of these films are being struck.
CROWN SERIAL 000059887