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National Film Vault

OFFICIAL FILM AUTHENTICATION BY CROWN GRADING
A
AUTHENTIC
CROWN CERTIFIED
Film cell NFV-000000578 Tap to enlarge
MOVIEThe Crocodile Hunter: Collision Course
SCENEIrwin & A King Brown Snake
FILM FORMAT35MM
YEAR2002
CERTIFICATE IDNFV-000000578
Film Record Public record
Directed by
John Stainton
Studio
Animal Planet · Animal Logic · Terri Irwin · 90 min
Scholarship
Named in the title of 1 peer-reviewed work
Examples
  • The Crocodile Hunter Collision Course (Film) — Sight & sound/Sight and sound, 2002
  • Full list on OpenAlex
Library of Congress
Catalog authorities the Library keeps for what appears in this film
Sources: Wikidata · OpenAlex · Library of Congress. The record of the motion picture, not an assessment of this cell.

FILM NOTES

FILM NOTES

MGM released The Crocodile Hunter: Collision Course in 2002, bringing Steve Irwin's television persona to the big screen at the height of his global popularity. Produced with Paramount and Village Roadshow, the film paired documentary style wildlife footage with a loose action plot, letting Irwin play himself as an exuberant guide through the Australian outback. It stands as a snapshot of early 2000s crossover entertainment, when cable personalities began testing theatrical audiences, and remains a notable artifact of Irwin's brief but influential film career before his passing in 2006.

This cell places Irwin alongside a king brown snake, one of Australia's notably venomous species and a natural subject for his brand of hands on wildlife encounter. Collectors seek this pairing because it distills the essence of his public identity, the fearless naturalist facing dangerous animals with enthusiasm rather than caution. As a 35mm frame from the release print, it preserves a single instant of that dynamic, a physical fragment of the film's identity tied directly to the man and creature that defined it.

This original motion picture film element has been examined and authenticated by Crown Grading in partnership with National Film Vault, and encapsulated for archival preservation.
Why so little survivesRelease prints were leased to theaters, not sold. When the run ended they went back to the distributor to be destroyed, and most were. What collectors hold today came from the prints that escaped that order, and no new 35mm prints of these films are being struck.
CROWN SERIAL 000059888