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National Film Vault

OFFICIAL FILM AUTHENTICATION BY CROWN GRADING
A
AUTHENTIC
CROWN CERTIFIED
Film cell NFV-000000579 Tap to enlarge
MOVIEThe Crocodile Hunter: Collision Course
SCENEIrwin & A King Brown Snake
FILM FORMAT35MM
YEAR2002
CERTIFICATE IDNFV-000000579
Film Record Public record
Directed by
John Stainton
Studio
Animal Planet · Animal Logic · Terri Irwin · 90 min
Scholarship
Named in the title of 1 peer-reviewed work
Examples
  • The Crocodile Hunter Collision Course (Film) — Sight & sound/Sight and sound, 2002
  • Full list on OpenAlex
Library of Congress
Catalog authorities the Library keeps for what appears in this film
Sources: Wikidata · OpenAlex · Library of Congress. The record of the motion picture, not an assessment of this cell.

FILM NOTES

FILM NOTES

Released in 2002 by MGM through Steve and Terri Irwin's own production banner, The Crocodile Hunter: Collision Course brought the Animal Planet phenomenon to the big screen at the height of Irwin's global fame. Blending wildlife documentary with a loose comic thriller plot, the film let audiences experience his hands-on style and unfiltered enthusiasm for dangerous animals in a proper theatrical frame. It stands today as a time capsule of early 2000s natural-history entertainment and remains the definitive cinematic record of Irwin at the peak of his career, before his death in 2006 made every surviving frame of his screen work more meaningfully sought after.

This cell captures Steve Irwin alongside a king brown snake, one of Australia's most formidable venomous species and a fitting subject for his brand of close-quarters wildlife encounter. Moments like this defined his on-screen identity, the naturalist working directly with animals few would approach. A 35mm cell preserving this pairing offers collectors a tangible link to that persona, a single frame of the encounter that made the film, and by extension Irwin himself, an enduring cultural touchstone.

This original motion picture film element has been examined and authenticated by Crown Grading in partnership with National Film Vault, and encapsulated for archival preservation.
Why so little survivesRelease prints were leased to theaters, not sold. When the run ended they went back to the distributor to be destroyed, and most were. What collectors hold today came from the prints that escaped that order, and no new 35mm prints of these films are being struck.
CROWN SERIAL 000059889