CrownGrading Pro
Ready to grade your cards? Submit Cards →
Crown Grading

National Film Vault

OFFICIAL FILM AUTHENTICATION BY CROWN GRADING
A
AUTHENTIC
CROWN CERTIFIED
Film cell NFV-000000580 Tap to enlarge
MOVIEThe Crocodile Hunter: Collision Course
SCENEIrwin & Wheeler Confrontation
FILM FORMAT35MM
YEAR2002
CERTIFICATE IDNFV-000000580
Film Record Public record
Directed by
John Stainton
Studio
Animal Planet · Animal Logic · Terri Irwin · 90 min
Scholarship
Named in the title of 1 peer-reviewed work
Examples
  • The Crocodile Hunter Collision Course (Film) — Sight & sound/Sight and sound, 2002
  • Full list on OpenAlex
Library of Congress
Catalog authorities the Library keeps for what appears in this film
Sources: Wikidata · OpenAlex · Library of Congress. The record of the motion picture, not an assessment of this cell.

FILM NOTES

FILM NOTES

The Crocodile Hunter: Collision Course arrived from MGM in 2002, built around Steve Irwin's Animal Planet persona and his real-life wife Terri as co-star. It brought the Crocodile Hunter brand to theaters with a fish-out-of-water spy plot, pairing Irwin's wildlife wrangling with a CIA chase narrative. The film served as a big-screen showcase for Irwin's enormous television popularity at the turn of the millennium, cementing him as a crossover figure between documentary television and mainstream cinema before his death in 2006 made this one of his few feature film appearances.

This cell centers on the collision between Irwin's character and Wes Wheeler, the story's CIA operative whose search for a lost tracking device drives the plot into Irwin's territory. A confrontation between these two figures marks a pivotal turning point, where the mismatched worlds of covert operations and outback wildlife work collide directly. For collectors, this pairing captures the essential tension of the film's premise. As a 35mm cell, it preserves a single frame from that reel, a physical artifact from the theatrical print itself.

This original motion picture film element has been examined and authenticated by Crown Grading in partnership with National Film Vault, and encapsulated for archival preservation.
Why so little survivesRelease prints were leased to theaters, not sold. When the run ended they went back to the distributor to be destroyed, and most were. What collectors hold today came from the prints that escaped that order, and no new 35mm prints of these films are being struck.
CROWN SERIAL 000059890