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National Film Vault

OFFICIAL FILM AUTHENTICATION BY CROWN GRADING
A
AUTHENTIC
CROWN CERTIFIED
Film cell NFV-000000581 Tap to enlarge
MOVIEThe Crocodile Hunter: Collision Course
SCENESteve Irwin
FILM FORMAT35MM
YEAR2002
CERTIFICATE IDNFV-000000581
Film Record Public record
Directed by
John Stainton
Studio
Animal Planet · Animal Logic · Terri Irwin · 90 min
Scholarship
Named in the title of 1 peer-reviewed work
Examples
  • The Crocodile Hunter Collision Course (Film) — Sight & sound/Sight and sound, 2002
  • Full list on OpenAlex
Library of Congress
Catalog authorities the Library keeps for what appears in this film
Sources: Wikidata · OpenAlex · Library of Congress. The record of the motion picture, not an assessment of this cell.

FILM NOTES

FILM NOTES

Released in 2002 by MGM and Village Roadshow Pictures, The Crocodile Hunter: Collision Course brought Steve Irwin's television persona to the big screen at the height of his global popularity. Built around his Animal Planet series Crocodile Hunter, the film paired documentary-style wildlife footage with a fictional chase plot, giving audiences worldwide a theatrical dose of his enthusiasm and hands-on approach to conservation. It stands as a curious hybrid of nature program and action comedy, and remains the clearest cinematic record of Irwin at the peak of his fame, a few years before his death made this footage all the more valued by fans and collectors alike.

This cell carries the name Steve Irwin himself, the film's central figure and the reason the picture exists at all. For collectors, a strip identified simply by his name represents the man as he was presented to the world: naturalist, entertainer, the driving force of the Crocodile Hunter brand. Such a cell speaks to his screen presence in this, his sole theatrical starring vehicle, a piece of 35mm history tied directly to his public image during this era. It holds appeal both for wildlife enthusiasts and film collectors drawn to the intersection of documentary personality and mainstream cinema.

This original motion picture film element has been examined and authenticated by Crown Grading in partnership with National Film Vault, and encapsulated for archival preservation.
Why so little survivesRelease prints were leased to theaters, not sold. When the run ended they went back to the distributor to be destroyed, and most were. What collectors hold today came from the prints that escaped that order, and no new 35mm prints of these films are being struck.
CROWN SERIAL 000059891