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National Film Vault

OFFICIAL FILM AUTHENTICATION BY CROWN GRADING
A
AUTHENTIC
CROWN CERTIFIED
Film cell NFV-000000582 Tap to enlarge
MOVIEThe Crocodile Hunter: Collision Course
SCENESteve Irwin
FILM FORMAT35MM
YEAR2002
CERTIFICATE IDNFV-000000582
Film Record Public record
Directed by
John Stainton
Studio
Animal Planet · Animal Logic · Terri Irwin · 90 min
Scholarship
Named in the title of 1 peer-reviewed work
Examples
  • The Crocodile Hunter Collision Course (Film) — Sight & sound/Sight and sound, 2002
  • Full list on OpenAlex
Library of Congress
Catalog authorities the Library keeps for what appears in this film
Sources: Wikidata · OpenAlex · Library of Congress. The record of the motion picture, not an assessment of this cell.

FILM NOTES

FILM NOTES

Released in 2002 by MGM and Village Roadshow Pictures, The Crocodile Hunter: Collision Course brought Steve Irwin's television persona to the big screen, pairing his Animal Planet fame with a scripted comic chase plot. It capitalized on the international popularity of The Crocodile Hunter series, introducing Irwin's enthusiastic, hands-on style of wildlife presentation to theatrical audiences worldwide. The film stands as a snapshot of a particular moment in early-2000s pop culture, when Irwin was among the most recognizable faces in nature entertainment, and it remains inseparable from his legacy given his death in 2006.

This cell carries Steve Irwin himself, the figure whose name defined the franchise and whose real-life persona anchors the film's appeal. Collectors seek him out precisely because the material predates his passing, making any surviving 35mm strip a tangible artifact of his screen career. As a film cell, this fragment would come from either a print struck for theatrical exhibition or a trailer reel used for promotion, a small physical remnant of the movie's original distribution run.

This original motion picture film element has been examined and authenticated by Crown Grading in partnership with National Film Vault, and encapsulated for archival preservation.
Why so little survivesRelease prints were leased to theaters, not sold. When the run ended they went back to the distributor to be destroyed, and most were. What collectors hold today came from the prints that escaped that order, and no new 35mm prints of these films are being struck.
CROWN SERIAL 000059892