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National Film Vault

OFFICIAL FILM AUTHENTICATION BY CROWN GRADING
A
AUTHENTIC
CROWN CERTIFIED
Film cell NFV-000000583 Tap to enlarge
MOVIEThe Crocodile Hunter: Collision Course
SCENESteve Irwin & A Perentie
FILM FORMAT35MM
YEAR2002
CERTIFICATE IDNFV-000000583
Film Record Public record
Directed by
John Stainton
Studio
Animal Planet · Animal Logic · Terri Irwin · 90 min
Scholarship
Named in the title of 1 peer-reviewed work
Examples
  • The Crocodile Hunter Collision Course (Film) — Sight & sound/Sight and sound, 2002
  • Full list on OpenAlex
Library of Congress
Catalog authorities the Library keeps for what appears in this film
Sources: Wikidata · OpenAlex · Library of Congress. The record of the motion picture, not an assessment of this cell.

FILM NOTES

The Crocodile Hunter: Collision Course arrived in 2002 from MGM, built as a starring vehicle for Steve Irwin at the height of his crossover fame from Animal Planet into mainstream cinema. Blending documentary footage with a loose comic plot, it capitalized on Irwin's global popularity and his singular screen presence, marking one of the few times his television persona was translated into a full theatrical release. For collectors, it stands as a snapshot of a cultural phenomenon that bridged wildlife education and blockbuster entertainment.

This cell pairs Steve Irwin directly with a perentie, Australia's largest monitor lizard, a species synonymous with his reputation as a fearless handler of the continent's most formidable reptiles. Such a pairing captures the essential draw of the film itself, placing its star alongside the exact kind of animal that built his legend. Collectors of Irwin material prize moments like this one, where the man and the creature share the frame as the film's core attraction, a piece of the era when his name and image defined the genre.

This original motion picture film element has been examined and authenticated by Crown Grading in partnership with National Film Vault, and encapsulated for archival preservation.
Why so little survivesRelease prints were leased to theaters, not sold. When the run ended they went back to the distributor to be destroyed, and most were. What collectors hold today came from the prints that escaped that order, and no new 35mm prints of these films are being struck.
CROWN SERIAL 000059893