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National Film Vault

OFFICIAL FILM AUTHENTICATION BY CROWN GRADING
A
AUTHENTIC
CROWN CERTIFIED
Film cell NFV-000000584 Tap to enlarge
MOVIEThe Crocodile Hunter: Collision Course
SCENESteve Irwin
FILM FORMAT35MM
YEAR2002
CERTIFICATE IDNFV-000000584
Film Record Public record
Directed by
John Stainton
Studio
Animal Planet · Animal Logic · Terri Irwin · 90 min
Scholarship
Named in the title of 1 peer-reviewed work
Examples
  • The Crocodile Hunter Collision Course (Film) — Sight & sound/Sight and sound, 2002
  • Full list on OpenAlex
Library of Congress
Catalog authorities the Library keeps for what appears in this film
Sources: Wikidata · OpenAlex · Library of Congress. The record of the motion picture, not an assessment of this cell.

FILM NOTES

FILM NOTES

MGM released The Crocodile Hunter: Collision Course in 2002, bringing Steve Irwin's television persona to the big screen at the height of his global popularity. Produced in partnership with Animal Planet and John Stainton, the film blended documentary footage with a loose comic plot, giving audiences outside the usual Discovery Channel crowd a chance to experience Irwin's boundless enthusiasm for wildlife on a theatrical scale. It arrived as a genuine crossover moment, translating a beloved television personality into a full studio release and cementing Irwin as an international icon of nature entertainment.

This 35mm cell preserves Steve Irwin himself, the figure whose name alone drove the film's appeal and box office success. As the central personality of the picture, Irwin represents the beating heart of the project, the reason fans and collectors alike seek out physical film pieces tied to his image. A cell bearing his name and likeness stands as a tangible artifact of his singular screen presence, a fragment of celluloid connecting directly to the man who brought crocodiles and conservation into mainstream cinema.

This original motion picture film element has been examined and authenticated by Crown Grading in partnership with National Film Vault, and encapsulated for archival preservation.
Why so little survivesRelease prints were leased to theaters, not sold. When the run ended they went back to the distributor to be destroyed, and most were. What collectors hold today came from the prints that escaped that order, and no new 35mm prints of these films are being struck.
CROWN SERIAL 000059894