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National Film Vault

OFFICIAL FILM AUTHENTICATION BY CROWN GRADING
A
AUTHENTIC
CROWN CERTIFIED
Film cell NFV-000000585 Tap to enlarge
MOVIEThe Crocodile Hunter: Collision Course
SCENESteve Irwin
FILM FORMAT35MM
YEAR2002
CERTIFICATE IDNFV-000000585
Film Record Public record
Directed by
John Stainton
Studio
Animal Planet · Animal Logic · Terri Irwin · 90 min
Scholarship
Named in the title of 1 peer-reviewed work
Examples
  • The Crocodile Hunter Collision Course (Film) — Sight & sound/Sight and sound, 2002
  • Full list on OpenAlex
Library of Congress
Catalog authorities the Library keeps for what appears in this film
Sources: Wikidata · OpenAlex · Library of Congress. The record of the motion picture, not an assessment of this cell.

FILM NOTES

FILM NOTES

The Crocodile Hunter: Collision Course arrived in 2002 from MGM, built around Steve Irwin's already-massive television persona and produced with his wife Terri and their Australia Zoo team. It marked his leap from cable documentary star to feature film lead, blending genuine wildlife footage with a loose spy-chase plot, and stands as the only theatrical showcase for a personality who became one of the most recognized naturalists in the world before his death in 2006. For fans, it is less a conventional film than a document of a cultural moment, capturing Irwin at the height of his fame.

This cell bears his name alone, marking him as the picture's central figure and drawing card. Collectors of Irwin material prize any surviving frame tied directly to him, since his screen presence is inseparable from the brand he built. A cell simply labeled with his name suggests a foundational appearance rather than a specific gag or scene, the kind of frame used to anchor promotional material or open the picture's identity to audiences who came for him first.

This original motion picture film element has been examined and authenticated by Crown Grading in partnership with National Film Vault, and encapsulated for archival preservation.
Why so little survivesRelease prints were leased to theaters, not sold. When the run ended they went back to the distributor to be destroyed, and most were. What collectors hold today came from the prints that escaped that order, and no new 35mm prints of these films are being struck.
CROWN SERIAL 000059895