CrownGrading Pro
Ready to grade your cards? Submit Cards →
Crown Grading

National Film Vault

OFFICIAL FILM AUTHENTICATION BY CROWN GRADING
A
AUTHENTIC
CROWN CERTIFIED
Film cell NFV-000000586 Tap to enlarge
MOVIEThe Crocodile Hunter: Collision Course
SCENESteve Irwin
FILM FORMAT35MM
YEAR2002
CERTIFICATE IDNFV-000000586
Film Record Public record
Directed by
John Stainton
Studio
Animal Planet · Animal Logic · Terri Irwin · 90 min
Scholarship
Named in the title of 1 peer-reviewed work
Examples
  • The Crocodile Hunter Collision Course (Film) — Sight & sound/Sight and sound, 2002
  • Full list on OpenAlex
Library of Congress
Catalog authorities the Library keeps for what appears in this film
Sources: Wikidata · OpenAlex · Library of Congress. The record of the motion picture, not an assessment of this cell.

FILM NOTES

FILM NOTES

Released in 2002 by MGM, The Crocodile Hunter: Collision Course brought Steve Irwin's wildly popular television persona to the big screen, pairing his real-life wife Terri Irwin and their conservation work with a fictional spy-chase plot. It capitalized on the enormous global fandom for Irwin's Animal Planet series, introducing his boundless enthusiasm and hands-on wildlife philosophy to theatrical audiences. The film stands as a time capsule of early-2000s wildlife entertainment and remains one of the few feature films built entirely around his singular screen presence.

This cell carries Steve Irwin himself, the figure whose khaki-clad energy and genuine love for animals made him an international icon. Collectors seek out material bearing his name because it preserves a piece of a personality whose legacy took on added weight after his passing in 2006. A 35mm cell simply marked with his name likely comes from a title card, trailer, or credits sequence, the kind of frame studios used to anchor promotional materials around the star at the center of the picture. It stands as a straightforward record of his presence in the film.

This original motion picture film element has been examined and authenticated by Crown Grading in partnership with National Film Vault, and encapsulated for archival preservation.
Why so little survivesRelease prints were leased to theaters, not sold. When the run ended they went back to the distributor to be destroyed, and most were. What collectors hold today came from the prints that escaped that order, and no new 35mm prints of these films are being struck.
CROWN SERIAL 000059896