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National Film Vault

OFFICIAL FILM AUTHENTICATION BY CROWN GRADING
A
AUTHENTIC
CROWN CERTIFIED
Film cell NFV-000000588 Tap to enlarge
MOVIEThe Crocodile Hunter: Collision Course
SCENESteve Irwin
FILM FORMAT35MM
YEAR2002
CERTIFICATE IDNFV-000000588
Film Record Public record
Directed by
John Stainton
Studio
Animal Planet · Animal Logic · Terri Irwin · 90 min
Scholarship
Named in the title of 1 peer-reviewed work
Examples
  • The Crocodile Hunter Collision Course (Film) — Sight & sound/Sight and sound, 2002
  • Full list on OpenAlex
Library of Congress
Catalog authorities the Library keeps for what appears in this film
Sources: Wikidata · OpenAlex · Library of Congress. The record of the motion picture, not an assessment of this cell.

FILM NOTES

FILM NOTES

Released in 2002 by MGM, The Crocodile Hunter: Collision Course brought Steve Irwin's television persona to the big screen, blending his Animal Planet documentary style with a loose action-comedy plot involving a wayward crocodile and bumbling spies. It was a modest theatrical release, notable chiefly as a showcase for Irwin's larger-than-life enthusiasm and his genuine rapport with wildlife, translating his signature energy from the small screen into a feature format for international audiences.

This cell preserves a frame of Steve Irwin himself, the figure whose real-life persona anchors the entire production. Collectors seek him out because he is the film's true subject, the reason the movie exists at all, more than any scripted character. A cell bearing his name captures the presence of the man rather than a moment of plot, making it a piece of documentary-adjacent memorabilia as much as film history. Such a frame, drawn from 35mm printed stock, stands as a tangible artifact of his screen legacy, a single still from the reel that carried his voice and manner into cinemas.

This original motion picture film element has been examined and authenticated by Crown Grading in partnership with National Film Vault, and encapsulated for archival preservation.
Why so little survivesRelease prints were leased to theaters, not sold. When the run ended they went back to the distributor to be destroyed, and most were. What collectors hold today came from the prints that escaped that order, and no new 35mm prints of these films are being struck.
CROWN SERIAL 000059898