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National Film Vault

OFFICIAL FILM AUTHENTICATION BY CROWN GRADING
A
AUTHENTIC
CROWN CERTIFIED
Film cell NFV-000000589 Tap to enlarge
MOVIEThe Crocodile Hunter: Collision Course
SCENESteve Irwin
FILM FORMAT35MM
YEAR2002
CERTIFICATE IDNFV-000000589
Film Record Public record
Directed by
John Stainton
Studio
Animal Planet · Animal Logic · Terri Irwin · 90 min
Scholarship
Named in the title of 1 peer-reviewed work
Examples
  • The Crocodile Hunter Collision Course (Film) — Sight & sound/Sight and sound, 2002
  • Full list on OpenAlex
Library of Congress
Catalog authorities the Library keeps for what appears in this film
Sources: Wikidata · OpenAlex · Library of Congress. The record of the motion picture, not an assessment of this cell.

FILM NOTES

FILM NOTES

MGM released The Crocodile Hunter: Collision Course in 2002, bringing Steve Irwin's boundless television persona to the big screen at the height of his global fame. Directed by John Stainton, the film blended documentary footage with a loose comic plot involving a misplaced crocodile and bumbling CIA operatives, giving Irwin a wider canvas for his enthusiasm and conservation message. It arrived as a genuine crossover moment, translating cable success into a theatrical release and cementing Irwin as an international icon before his passing in 2006 made every artifact of his screen work more meaningful to collectors.

This cell preserves Steve Irwin himself, the beating heart of the picture and the reason audiences bought tickets in the first place. As the central figure of the film, his frames carry the weight of the entire production, representing the persona built across years of wildlife programming now brought into a feature format. For collectors, a cell bearing his name is a direct link to a performer whose presence defined an era of natural history entertainment, and whose early death makes any physical remnant of this production a meaningful piece of screen history.

This original motion picture film element has been examined and authenticated by Crown Grading in partnership with National Film Vault, and encapsulated for archival preservation.
Why so little survivesRelease prints were leased to theaters, not sold. When the run ended they went back to the distributor to be destroyed, and most were. What collectors hold today came from the prints that escaped that order, and no new 35mm prints of these films are being struck.
CROWN SERIAL 000059899