CrownGrading Pro
Ready to grade your cards? Submit Cards →
Crown Grading

National Film Vault

OFFICIAL FILM AUTHENTICATION BY CROWN GRADING
A
AUTHENTIC
CROWN CERTIFIED
Film cell NFV-000000657 Tap to enlarge
MOVIETop Gun
SCENEPete ‘Maverick’ Mitchell
FILM FORMAT35mm
YEAR1986
CERTIFICATE IDNFV-000000657
Film Record Public record
National Film RegistryLibrary of Congress · Inducted 2015

“Though a wag might be tempted to call this Tony Scott film "The Testosterone Chronicles," the Don Simpson/Jerry Bruckheimer production actually comprises a deft portrait of mid-1980s America, when politicians promised "Morning in America Again," and singers crooned "God Bless the U.S.A." The U.S.”

Selected for preservation as culturally, historically or aesthetically significant.
Directed by
Tony Scott
Studio
Paramount Pictures · 110 min
Box office
$357.3M worldwide on a $15M budget
Honors
Academy Awards — 3 nominationsKids' Choice Award — 1 nomination
Scholarship
Named in the title of 12 peer-reviewed works
Examples
Sources: Wikidata · Library of Congress · OpenAlex. The record of the motion picture, not an assessment of this cell.

FILM NOTES

FILM NOTES

Top Gun arrived from Paramount in 1986, a Tony Scott production that turned naval aviation into a recruitment poster for a generation and made Tom Cruise the definitive movie star of the decade. Built on speed, sound, and swagger, it became one of the year's biggest box office draws and a fixture of American pop culture, its soundtrack and dogfight sequences still referenced decades later. The film's success cemented the template for the glossy, star-driven action picture of the era, pairing Cruise with a supporting roster that included Kilmer, McGillis, and Edwards, but it is Cruise's presence that carried the picture into legend.

This cell holds Pete "Maverick" Mitchell, the call sign that became shorthand for reckless talent and unresolved grief, the role that made Tom Cruise synonymous with Top Gun itself. Collectors seek Maverick material precisely because the character is the film's engine, the pilot whose ambition and loss define its arc from cadet to legend. A 35mm frame carrying this name situates the viewer with Mitchell himself, a piece of the reel devoted to the man rather than the machinery around him, a fitting centerpiece for any collection built around the film's enduring central figure.

Authentication Findings 8 checks

Consistent with a 35mm colour release print of Top Gun (1986).

Gauge
35mm, confirmed by four perforations per frame on both edges; the strip holds three frames.
Perforations
Four per frame on both edges; spacing appears even and the punched edges appear clean with no visible tearing.
Soundtrack
A variable-area optical track is visible running along the bottom edge beside the perforations, appearing as a dual bilateral variable-area format.
Edge print
Partially legible text visible at the lower right edge reading approximately 'UC' followed by additional characters; full code not fully legible in this capture.
Base & colour
Base shows a warm amber-orange tint along the lower strip edge consistent with a colour print stock; the dye image in the frames appears neutral to slightly warm with no obvious red shift or fading.
Projection history
No visible scratches, splice marks, or cue marks seen at this size.
Picture
Positive colour image; all three frames appear to be consecutive frames from a single continuous shot, consistent with a release print of the film on record.
Era check
The dual bilateral variable-area optical soundtrack, colour print stock with amber base edge, and perforation layout are all consistent with a mid-1980s theatrical release print.
Read from the original intake capture shown below. Observations only — film is authenticated, not graded.
This original motion picture film element has been examined and authenticated by Crown Grading in partnership with National Film Vault, and encapsulated for archival preservation.
Why so little survivesRelease prints were leased to theaters, not sold. When the run ended they went back to the distributor to be destroyed, and most were. What collectors hold today came from the prints that escaped that order, and no new 35mm prints of these films are being struck.
CROWN SERIAL 000062501
Original Film Capture As received
The film strip as photographed on the light panel at intake, before encapsulation
Photographed on the light panel at intake, before encapsulation — tap to open full size