National Film RegistryLibrary of Congress · Inducted 1994
“Written by Melissa Mathison and directed by Steven Spielberg, this film chronicles the relationship between a young boy (Henry Thomas) and a benevolent alien who is stranded on Earth and trying to find his way back to his home planet. The film's masterful blending of hopeful innocence with excitement and humor made it both a critical and popular success.”
Universal Pictures · Amblin Entertainment · 115 min
Box office
$792.9M worldwide on a $10.5M budget
Honors
Academy Awards — 4 wins, 9 nominationsGolden Globe Awards — 2 wins, 4 nominationsLos Angeles Film Critics Association — 2 winsBritish Academy Film Awards — 1 win, 8 nominationsAll 20 wins · 27 nominations on record
Academy Awards: Best Visual Effects
Academy Awards: Best Original Score
Academy Awards: Best Sound Editing
Academy Awards: Best Sound
Golden Globe Awards: Best Motion Picture – Drama
Golden Globe Awards: Best Original Score
Los Angeles Film Critics Association: Best Film
Los Angeles Film Critics Association: Best Director
British Academy Film Awards: Best Original Music
Japan Academy Film Prize: Outstanding Foreign Language Film
David di Donatello: Best Foreign Director
National Board of Review: National Board of Review: Top Ten Films
Saturn Award: Best Special Effects
Saturn Award: Best Writing
Saturn Award: Best Science Fiction Film
Saturn Award: Best Music
Saturn Award: Best Classic Film DVD Release
National Society of Film Critics Award: Best Director
Boston Society of Film Critics Award: Best Director
Grammy Award: Best Score Soundtrack for Visual Media
Scholarship
Named in the title of 28 peer-reviewed works
Examples
E.T.: The Extra-Terrestrial — 100 Science Fiction Films, 2013
E.T. the Extra-Terrestrial — A K Peters/CRC Press eBooks, 2010
E.T. the extra-terrestrial — Open Research Exeter (University of Exeter), 1982
Sources: Wikidata · Library of Congress · OpenAlex. The record of the motion picture, not an assessment of this cell.
FILM NOTES
E.T. the Extra-Terrestrial arrived from Universal in the summer of 1982, directed by Steven Spielberg at the height of his early powers. It became a cultural touchstone almost overnight, the top grossing film of its era, prized for its restraint and its faith in childhood wonder over spectacle. Decades on it remains a defining work of the Amblin era, a film that shaped how Hollywood imagined family adventure for a generation.
This cell pairs the two figures at the heart of that story, E.T. and Elliott, the bond that gives the film its emotional center. Collectors seek frames built around this pairing because it is the film's core relationship, the friendship between a stranded visitor and the boy who hides and protects him. A cell like this functions as a piece of that shared arc, a fragment of celluloid preserving the two characters together as the story intends them to be seen.
Authentication Findings8 checks
Consistent with a 35mm optical-track theatrical release print of E.T. the Extra-Terrestrial.
Gauge
35mm, confirmed by four perforations per frame on both edges; the strip holds three complete frames.
Perforations
Four per frame on both edges; spacing appears even and the punched holes appear cleanly cut with no visible tearing.
Soundtrack
A variable-area optical track is visible running along one edge beside the picture area, appearing as a dual-bilateral (two-track) waveform pattern.
Edge print
Not visible in this capture at sufficient resolution to read manufacturer text or key numbers.
Base & colour
Base appears with a slight cyan-blue tint consistent with an estar or acetate safety base; the dye image reads as warm with no obvious red shift or fading.
Projection history
Light vertical scratching is visible across the frame area, consistent with a print that has passed through a projector gate.
Picture
Positive colour image; all three frames appear to be consecutive frames from a single continuous shot and the subject matter is consistent with E.T. the Extra-Terrestrial (1982).
Era check
The dual-bilateral variable-area optical track, warm dye image, and cyan-tinted safety base are all consistent with a 35mm theatrical release print from the early 1980s.
Read from the original intake capture shown below. Observations only — film is authenticated, not graded.
This original motion picture film element has been examined and authenticated by Crown Grading in partnership with National Film Vault, and encapsulated for archival preservation.
Why so little survivesRelease prints were leased to theaters, not sold. When the run ended they went back to the distributor to be destroyed, and most were. What collectors hold today came from the prints that escaped that order, and no new 35mm prints of these films are being struck.
CROWN SERIAL 000062741
Original Film CaptureAs received
Photographed on the light panel at intake, before encapsulation — tap to open full size
Tap to enlarge
