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National Film Vault

OFFICIAL FILM AUTHENTICATION BY CROWN GRADING
A
AUTHENTIC
CROWN CERTIFIED
Film cell NFV-000001314 Tap to enlarge
MOVIEShrek
SCENEShrek's Swamp
FILM FORMAT35mm
YEAR2001
CERTIFICATE IDNFV-000001314
Film Record Public record
National Film RegistryLibrary of Congress · Inducted 2020

“Even by DreamWorks standards, the charm and magic of "Shrek" seemed extraordinary upon its initial release almost 20 years ago — and its power has yet to diminish in the intervening years.”

Selected for preservation as culturally, historically or aesthetically significant.
Directed by
Andrew Adamson, Vicky Jenson
Studio
DreamWorks · DreamWorks Animation · Pacific Data Images · 90 min
Box office
$488.4M worldwide on a $60M budget
Honors
Academy Awards — 1 win, 2 nominationsAnnie Awards — 1 winBritish Academy Film Awards — 1 winCritics' Choice Movie Award — 1 win
All 4 wins · 3 nominations on record
  • Academy Awards: Best Animated Feature
  • Annie Awards: Best Animated Feature
  • British Academy Film Awards: BAFTA's Children & Young People Award - Feature Film
  • Critics' Choice Movie Award: Best Animated Feature
Scholarship
Named in the title of 17 peer-reviewed works
Examples
Library of Congress
Catalog authorities the Library keeps for what appears in this film
Sources: Wikidata · Library of Congress · OpenAlex. The record of the motion picture, not an assessment of this cell.

FILM NOTES

Shrek arrived from DreamWorks Animation in 2001, a fairy tale turned inside out that reshaped what audiences expected from computer animated features. It paired fart jokes with genuine heart, took aim at Disney convention, and became the first film to win the newly created Academy Award for Best Animated Feature. Its success established DreamWorks as a rival powerhouse and proved animation could carry sharp humor for adults alongside charm for children, launching a franchise and a cultural shorthand that persists decades later.

This 35mm cell centers on Shrek in his swamp, the setting that defines him before any quest begins. The swamp is his chosen solitude, the home he defends against intruders and fairy tale refugees alike, and it establishes the ogre as a homebody rather than a monster. Collectors prize Shrek material for his role as the character who upended animated leading men, gruff and self sufficient. A frame tied to his own territory captures the character in his natural state, the starting point of the story rather than its transformation.

Authentication Findings 8 checks

Consistent with a 35mm Dolby Digital theatrical release print of Shrek (2001).

Gauge
35mm, confirmed by four perforations per frame on both edges; the strip holds three frames.
Perforations
Four per frame on both edges; spacing appears even and the punched edges appear clean with no visible tearing.
Soundtrack
A variable-area optical track is visible running along one edge beside the picture area, consistent with an analog stereo print; Dolby Digital pixel blocks appear present in the inter-perforation gaps on the same edge, indicating a Dolby Digital SR·D composite track.
Edge print
Not visible in this capture at sufficient resolution to quote characters reliably.
Base & colour
Base appears with a slight blue-cyan tint typical of modern safety polyester stock; dye image reads as warm and saturated with no visible fading or red shift.
Projection history
Light vertical scratching is visible across the frame area, consistent with a print that has passed through a projector gate.
Picture
Positive colour image; all three frames appear to be from the same continuous shot and the content matches the animated feature Shrek (2001) on record.
Era check
The composite Dolby Digital SR·D optical track format and polyester base with cyan tint are consistent with a theatrical release print from the early 2000s, matching the 2001 release date on record.
Read from the original intake capture shown below. Observations only — film is authenticated, not graded.
This original motion picture film element has been examined and authenticated by Crown Grading in partnership with National Film Vault, and encapsulated for archival preservation.
Why so little survivesRelease prints were leased to theaters, not sold. When the run ended they went back to the distributor to be destroyed, and most were. What collectors hold today came from the prints that escaped that order, and no new 35mm prints of these films are being struck.
CROWN SERIAL 000063158
Original Film Capture As received
The film strip as photographed on the light panel at intake, before encapsulation
Photographed on the light panel at intake, before encapsulation — tap to open full size