Tap to enlarge
Shrek arrived from DreamWorks in 2001 as a defiant answer to the fairy-tale formula, pairing sly pop-culture wit with genuine warmth. Directed by Andrew Adamson and Vicky Jenson, it became a cultural landmark, winning the first-ever Academy Award for Best Animated Feature and launching a franchise that redefined what an animated blockbuster could be. Its irreverence toward Disney conventions, paired with a soundtrack of needle-drops rather than show tunes, made it an instant touchstone of early-2000s cinema, appealing equally to children and adults who appreciated its layered humor.
A trailer end card is the closing beat of a promotional reel, the frame that lingers just before the house lights return, meant to plant the studio's name and the film's identity in a viewer's memory. For Shrek, this piece of promotional history predates the feature's theatrical run, existing as a marketing artifact rather than a story frame. Collectors of trailer material prize end cards precisely because they capture a film's launch moment, the instant a title first asserted itself to audiences, distinct from any scene within the movie proper.
Consistent with a 35mm theatrical release trailer print of Shrek (2001).
