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National Film Vault

OFFICIAL FILM AUTHENTICATION BY CROWN GRADING
A
AUTHENTIC
CROWN CERTIFIED
Film cell NFV-000002111 Tap to enlarge
MOVIEThe Lego Movie
SCENEOpening Credits
FILM FORMAT35mm
YEAR2014
CERTIFICATE IDNFV-000002111
Film Record Public record
Directed by
Phil Lord, Christopher Miller
Studio
Animal Logic · Village Roadshow Pictures · The Lego Group · 101 min
Box office
$469.2M worldwide on a $60M budget
Honors
British Academy Film Awards — 1 winNational Board of Review — 1 winAnnie Awards — 1 nominationCritics' Choice Movie Award — 1 win
All 3 wins · 2 nominations on record
  • British Academy Film Awards: BAFTA's Children & Young People Award - Feature Film
  • National Board of Review: National Board of Review: Top Ten Films
  • Critics' Choice Movie Award: Best Animated Feature
Scholarship
Named in the title of 14 peer-reviewed works
Examples
  • The LEGO Movie — University of Texas Press eBooks, 2020
  • The Lego Movie, 2022
  • The LEGO Movie as Savvy Cinema — University of Texas Press eBooks, 2020
  • Full list on OpenAlex
Library of Congress
Catalog authorities the Library keeps for what appears in this film
Sources: Wikidata · OpenAlex · Library of Congress. The record of the motion picture, not an assessment of this cell.

FILM NOTES

The Lego Movie arrived from Warner Bros. in early 2014, a co-production with Village Roadshow that turned a toy licensing exercise into one of the most acclaimed animated features of its decade. Directed by Phil Lord and Christopher Miller, it married stop-motion aesthetics with CG animation to simulate brick-built worlds, paired with a script that balanced corporate satire, franchise crossover gags, and genuine sentiment. Its box office success and critical reception reshaped how studios approached toy-based filmmaking, proving that a movie built around a construction brand could still carry wit and heart.

This cell comes from the Opening Credits, the sequence that establishes tone before any character or plot has been introduced. Opening credit footage is prized by collectors for marking a film's first frames on release prints, the moment where studio branding, title design, and production credits appear together on a single strip. For an animated feature built on stop-motion-style plastic textures, this segment carries the earliest visual signature of the film's craft, making it a foundational piece for anyone assembling a complete run of the picture's release reel.

Authentication Findings 8 checks

Consistent with a 35mm theatrical trailer print, but the title card names a different film.

Gauge
35mm, four perforations per frame visible on both edges; the strip holds three frames.
Perforations
Four per frame on both edges, evenly spaced, cleanly punched with no torn or deformed holes visible.
Soundtrack
A variable-area optical track is visible along the bottom edge, with what appears to be a Dolby Digital data-block strip in the inter-perforation zone on the same edge; a second stripe consistent with SDDS is visible on the outermost bottom edge.
Edge print
Not clearly legible at this capture resolution; no key numbers or safety text can be confirmed.
Base & colour
Base appears neutral to very slightly cyan-tinted; the frames are predominantly black, consistent with a title-card or leader section rather than a scene frame.
Projection history
No visible scratches, splice marks, or cue marks seen.
Picture
Positive image; all three frames show the same orange-on-black title treatment reading 'FROM THE DIRECTORS OF CLOUDY WITH A CHANCE OF MEATBALLS', indicating a trailer title card repeated across frames, not a scene from The Lego Movie.
Era check
The multi-format soundtrack layout (variable-area optical, Dolby Digital data blocks, SDDS stripe) is consistent with a mid-2000s to mid-2010s theatrical release print era, matching a 2014 release window.
Read from the original intake capture shown below. Observations only — film is authenticated, not graded.
This original motion picture film element has been examined and authenticated by Crown Grading in partnership with National Film Vault, and encapsulated for archival preservation.
Why so little survivesRelease prints were leased to theaters, not sold. When the run ended they went back to the distributor to be destroyed, and most were. What collectors hold today came from the prints that escaped that order, and no new 35mm prints of these films are being struck.
CROWN SERIAL 000063971
Original Film Capture As received
The film strip as photographed on the light panel at intake, before encapsulation
Photographed on the light panel at intake, before encapsulation — tap to open full size