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National Film Vault

OFFICIAL FILM AUTHENTICATION BY CROWN GRADING
A
AUTHENTIC
CROWN CERTIFIED
Film cell NFV-000002290 Tap to enlarge
MOVIEBack to the Future Part II
SCENEMarty and Jennifer
FILM FORMAT35mm
YEAR1989
CERTIFICATE IDNFV-000002290
Film Record Public record
Directed by
Robert Zemeckis
Studio
Amblin Entertainment · 108 min
Box office
$332.5M worldwide on a $40M budget
Honors
British Academy Film Awards — 2 wins, 1 nominationAcademy Awards — 1 nominationKids' Choice Award — 1 nominationSaturn Award — 1 nomination
All 2 wins · 4 nominations on record
  • British Academy Film Awards: Best Special Visual Effects
Scholarship
Named in the title of 1 peer-reviewed work
Examples
Library of Congress
Catalog authorities the Library keeps for what appears in this film
Sources: Wikidata · OpenAlex · Library of Congress. The record of the motion picture, not an assessment of this cell.

FILM NOTES

Back to the Future Part II arrived in 1989 from Universal Pictures, a rare sequel released the same year audiences were still riding the wave of the original's success. Robert Zemeckis pushed the franchise into a dense, self-referential structure spanning multiple time periods, expanding the mythology while cementing Marty McFly and Doc Brown as fixtures of late-80s blockbuster filmmaking. The film's ambition, particularly its vision of 2015, has made it a lasting touchstone in pop culture and a favorite among collectors of the trilogy.

This cell centers on Marty and Jennifer, the couple whose relationship anchors the emotional throughline of the time-travel saga. Jennifer's presence marks her expanded role in this installment, as she becomes entangled directly in the plot rather than remaining on the sidelines. Frames pairing these two together are sought after for capturing the human connection amid the film's science-fiction machinery, a quieter counterpoint to the chaos of shifting timelines. Such a piece serves as a tangible link to the characters' shared story, prized by those who collect moments of continuity within the trilogy's sprawling narrative.

Authentication Findings 8 checks

Consistent with a 35mm theatrical release print of Back to the Future Part II (1989).

Gauge
35mm, four perforations per frame on both edges; the strip holds three frames.
Perforations
Four per frame on each edge; spacing appears even and the punched holes appear cleanly cut with no visible tearing.
Soundtrack
A variable-area optical track is visible running along one edge beside the picture area, appearing as a dual-band waveform pattern consistent with a stereo variable-area print.
Edge print
Edge print reads mirrored as '89 8 2 3M' — when corrected reads 'M3 2 8 89' — indicating a Kodak key-number sequence; 'SAFETY FILM' designation not legible at this resolution.
Base & colour
Base appears with a slight blue-cool tint under the backlight; dye image reads as warm and saturated with no obvious red-shift or fading.
Projection history
Light vertical scratching is visible running through all three frames, consistent with a print that has passed through a projector gate.
Picture
Positive colour image; all three frames appear to be consecutive frames from a single continuous shot, consistent with a release print of Back to the Future Part II.
Era check
The dual variable-area optical soundtrack, Kodak safety base stock, and key-number format are all consistent with a 1989–early-1990s theatrical release print.
Read from the original intake capture shown below. Observations only — film is authenticated, not graded.
This original motion picture film element has been examined and authenticated by Crown Grading in partnership with National Film Vault, and encapsulated for archival preservation.
Why so little survivesRelease prints were leased to theaters, not sold. When the run ended they went back to the distributor to be destroyed, and most were. What collectors hold today came from the prints that escaped that order, and no new 35mm prints of these films are being struck.
CROWN SERIAL 000064147
Original Film Capture As received
The film strip as photographed on the light panel at intake, before encapsulation
Photographed on the light panel at intake, before encapsulation — tap to open full size