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National Film Vault

OFFICIAL FILM AUTHENTICATION BY CROWN GRADING
A
AUTHENTIC
CROWN CERTIFIED
Film cell NFV-000002325 Tap to enlarge
MOVIEBack to the Future II
SCENEMarty and Doc
FILM FORMAT35mm
YEAR1989
CERTIFICATE IDNFV-000002325
Film Record Public record
Directed by
Robert Zemeckis
Studio
Amblin Entertainment · 108 min
Box office
$332.5M worldwide on a $40M budget
Honors
British Academy Film Awards — 2 wins, 1 nominationAcademy Awards — 1 nominationKids' Choice Award — 1 nominationSaturn Award — 1 nomination
All 2 wins · 4 nominations on record
  • British Academy Film Awards: Best Special Visual Effects
Scholarship
Named in the title of 2 peer-reviewed works
Examples
  • Back to the Future II comment, 2019
  • Back to the Future II (1988–99) — Routledge eBooks, 2016
  • Full list on OpenAlex
Library of Congress
Catalog authorities the Library keeps for what appears in this film
Sources: Wikidata · OpenAlex · Library of Congress. The record of the motion picture, not an assessment of this cell.

FILM NOTES

Back to the Future II arrived in 1989 as Universal Pictures' immediate follow-up to one of the decade's biggest hits, pushing Robert Zemeckis's time-travel saga into a bolder, more ambitious register. Rather than simply repeating the formula, it sent Marty McFly and Doc Brown forward into a neon-lit vision of 2015, then sideways into an alternate 1985, weaving a denser, more intricate plot than its predecessor. The film expanded the mythology of the series while keeping its core intact, and it remains a touchstone of late-eighties blockbuster filmmaking, prized for its ambition and its lasting cultural footprint.

This cell centers on the pairing that anchors the entire trilogy: Marty McFly and Doc Emmett Brown, the two figures whose partnership drives every timeline the story visits. Collectors seek frames built around this duo because their dynamic, the restless teenager and the eccentric inventor, is the emotional core audiences return to again and again. A cell naming both characters together speaks to companionship and shared purpose rather than any single set piece, offering a physical fragment of the reel that carried their ongoing journey through time.

Authentication Findings 8 checks

Consistent with a 35mm colour release print of Back to the Future Part II (1989).

Gauge
35mm; the strip holds three frames, each showing four perforations per frame on both edges.
Perforations
Four per frame on both edges; spacing appears even and the punched holes appear cleanly cut with no visible tearing.
Soundtrack
A variable-area optical soundtrack track is visible running along one edge beside the picture area, appearing as a single variable-area track.
Edge print
Edge print reads reversed as photographed; decoded it reads 'M3 28 86' and 'EASTMAN' along the opposite edge.
Base & colour
Base appears with a slight warm-neutral tint consistent with colour print stock; dye image appears stable with no visible fading or red shift.
Projection history
Light longitudinal scratching is visible along the soundtrack area; no splices or cue marks are visible in this capture.
Picture
Positive colour image; all three frames appear to be consecutive frames from a single shot, consistent with a release print of Back to the Future Part II (1989).
Era check
The single variable-area optical track, Eastman colour print stock edge coding, and four-perforation 35mm format are all consistent with a theatrical release print from the late 1980s.
Read from the original intake capture shown below. Observations only — film is authenticated, not graded.
This original motion picture film element has been examined and authenticated by Crown Grading in partnership with National Film Vault, and encapsulated for archival preservation.
Why so little survivesRelease prints were leased to theaters, not sold. When the run ended they went back to the distributor to be destroyed, and most were. What collectors hold today came from the prints that escaped that order, and no new 35mm prints of these films are being struck.
CROWN SERIAL 000064182
Original Film Capture As received
The film strip as photographed on the light panel at intake, before encapsulation
Photographed on the light panel at intake, before encapsulation — tap to open full size