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National Film Vault

OFFICIAL FILM AUTHENTICATION BY CROWN GRADING
A
AUTHENTIC
CROWN CERTIFIED
Film cell NFV-000002344 Tap to enlarge
MOVIEBack to the Future Part II
SCENEMarty and Doc
FILM FORMAT35mm
YEAR1989
CERTIFICATE IDNFV-000002344
Film Record Public record
Directed by
Robert Zemeckis
Studio
Amblin Entertainment · 108 min
Box office
$332.5M worldwide on a $40M budget
Honors
British Academy Film Awards — 2 wins, 1 nominationAcademy Awards — 1 nominationKids' Choice Award — 1 nominationSaturn Award — 1 nomination
All 2 wins · 4 nominations on record
  • British Academy Film Awards: Best Special Visual Effects
Scholarship
Named in the title of 1 peer-reviewed work
Examples
Library of Congress
Catalog authorities the Library keeps for what appears in this film
Sources: Wikidata · OpenAlex · Library of Congress. The record of the motion picture, not an assessment of this cell.

FILM NOTES

Back to the Future Part II arrived in 1989 from Universal Pictures, a rare sequel that expanded rather than repeated its predecessor's success. Directed by Robert Zemeckis and reuniting the core creative team, it pushed the time travel premise into 2015 and into a darkened alternate 1985, becoming a defining entry in the trilogy and a touchstone of late eighties studio filmmaking. Its ambition, mixing comedy, science fiction, and dense plotting across timelines, cemented the franchise's lasting popularity with collectors and audiences alike.

This cell preserves Marty McFly and Doc Brown together, the partnership at the heart of the entire trilogy. Doc, the eccentric inventor, and Marty, his younger companion, anchor every timeline the story visits, and a strip showing them side by side speaks directly to that bond. For collectors, frames pairing these two characters are especially desirable, representing the film's central relationship rather than a single isolated performance. As a 35mm cell drawn from actual release printing, it stands as a tangible artifact from the physical film itself, a small fragment of the movement audiences once watched pass through a projector.

Authentication Findings 8 checks

Consistent with a 35mm color optical theatrical release print of Back to the Future Part II.

Gauge
35mm, four perforations per frame on both edges; the strip holds three frames.
Perforations
Four per frame on each edge; spacing appears even and the punched holes appear cleanly cut with no visible tearing.
Soundtrack
A variable-area optical track is visible running along one edge beside the picture area, appearing as a single-track analog stripe.
Edge print
Partial alphanumeric key numbers and codes are visible along the edge; full text is not legible at this resolution.
Base & colour
The base shows a warm-neutral tint consistent with color dye couplers; the dye image appears stable with no visible fading or red shift.
Projection history
Light vertical scratching is visible across the frame area, consistent with a print that has passed through a projector gate.
Picture
Positive color image; the three frames appear to be consecutive frames from a single continuous shot and are consistent with a theatrical release print of Back to the Future Part II.
Era check
The single variable-area optical soundtrack, color positive stock, and base tint are all consistent with a 35mm theatrical release print from the late 1980s to early 1990s.
Read from the original intake capture shown below. Observations only — film is authenticated, not graded.
This original motion picture film element has been examined and authenticated by Crown Grading in partnership with National Film Vault, and encapsulated for archival preservation.
Why so little survivesRelease prints were leased to theaters, not sold. When the run ended they went back to the distributor to be destroyed, and most were. What collectors hold today came from the prints that escaped that order, and no new 35mm prints of these films are being struck.
CROWN SERIAL 000064201
Original Film Capture As received
The film strip as photographed on the light panel at intake, before encapsulation
Photographed on the light panel at intake, before encapsulation — tap to open full size