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National Film Vault

OFFICIAL FILM AUTHENTICATION BY CROWN GRADING
A
AUTHENTIC
CROWN CERTIFIED
Film cell NFV-000002357 Tap to enlarge
MOVIEBack to the Future Part II
SCENEMarty and Griff
FILM FORMAT35mm
YEAR1989
CERTIFICATE IDNFV-000002357
Film Record Public record
Directed by
Robert Zemeckis
Studio
Amblin Entertainment · 108 min
Box office
$332.5M worldwide on a $40M budget
Honors
British Academy Film Awards — 2 wins, 1 nominationAcademy Awards — 1 nominationKids' Choice Award — 1 nominationSaturn Award — 1 nomination
All 2 wins · 4 nominations on record
  • British Academy Film Awards: Best Special Visual Effects
Scholarship
Named in the title of 1 peer-reviewed work
Examples
Library of Congress
Catalog authorities the Library keeps for what appears in this film
Sources: Wikidata · OpenAlex · Library of Congress. The record of the motion picture, not an assessment of this cell.

FILM NOTES

Back to the Future Part II arrived in 1989 from Universal Pictures, a Robert Zemeckis production riding the enormous goodwill of the 1985 original. It pushed the trilogy into bolder territory, sending Marty McFly forward to a neon vision of 2015 before doubling back through an alternate 1985, a structure that demanded audiences track parallel timelines while still delivering the franchise's signature blend of comedy, invention, and heart. The sequel expanded the mythology considerably, giving fans new gadgets, new dangers, and a deeper look at the consequences of tampering with the past.

This cell pairs Marty McFly with Griff Tannen, the technologically souped-up descendant of Biff who terrorizes the future timeline. Griff represents the franchise's recurring bully lineage reimagined for a new era, making him a favorite among collectors who track the Tannen family across all three films. A frame joining these two figures speaks to the film's central tension, Marty once again squaring off against a Tannen, this time in a world reshaped by hoverboards and altered history, capturing one of the sequel's defining confrontations.

Authentication Findings 8 checks

Consistent with a 35mm colour release print of Back to the Future Part II (1989).

Gauge
35mm, four perforations per frame on both edges; the strip holds three complete frames.
Perforations
Four per frame on each edge, evenly spaced; punched holes appear clean and regularly shaped with no visible tearing.
Soundtrack
A variable-area optical track is visible running along one edge beside the picture area, appearing as a dual-band variable-area (stereo) optical track.
Edge print
Bottom edge reads 'M3 28' (mirrored as seen); top edge shows partial text reading 'T-H' followed by additional characters not fully legible in this capture.
Base & colour
Base appears with a slight warm-neutral tint; dye image shows reasonably saturated colour with no obvious red shift or significant fading visible.
Projection history
Light vertical scratching is visible running through the frame area, consistent with a print that has passed through a projector gate.
Picture
Positive colour image; all three frames appear to be consecutive frames from a single continuous shot, consistent with a release print of Back to the Future Part II (1989).
Era check
The dual variable-area optical soundtrack, colour positive stock, and base tint are all consistent with a theatrical release print from the late 1980s to early 1990s.
Read from the original intake capture shown below. Observations only — film is authenticated, not graded.
This original motion picture film element has been examined and authenticated by Crown Grading in partnership with National Film Vault, and encapsulated for archival preservation.
Why so little survivesRelease prints were leased to theaters, not sold. When the run ended they went back to the distributor to be destroyed, and most were. What collectors hold today came from the prints that escaped that order, and no new 35mm prints of these films are being struck.
CROWN SERIAL 000064214
Original Film Capture As received
The film strip as photographed on the light panel at intake, before encapsulation
Photographed on the light panel at intake, before encapsulation — tap to open full size