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National Film Vault

OFFICIAL FILM AUTHENTICATION BY CROWN GRADING
A
AUTHENTIC
CROWN CERTIFIED
Film cell NFV-000002377 Tap to enlarge
MOVIEBack to the Future Part II
SCENEJennifer, Marty and Doc
FILM FORMAT35mm
YEAR1989
CERTIFICATE IDNFV-000002377
Film Record Public record
Directed by
Robert Zemeckis
Studio
Amblin Entertainment · 108 min
Box office
$332.5M worldwide on a $40M budget
Honors
British Academy Film Awards — 2 wins, 1 nominationAcademy Awards — 1 nominationKids' Choice Award — 1 nominationSaturn Award — 1 nomination
All 2 wins · 4 nominations on record
  • British Academy Film Awards: Best Special Visual Effects
Scholarship
Named in the title of 1 peer-reviewed work
Examples
Library of Congress
Catalog authorities the Library keeps for what appears in this film
Sources: Wikidata · OpenAlex · Library of Congress. The record of the motion picture, not an assessment of this cell.

FILM NOTES

Back to the Future Part II arrived in 1989 from Universal Pictures, a rare sequel that expanded on a beloved original rather than simply repeating it. Directed by Robert Zemeckis and produced by Steven Spielberg's Amblin Entertainment, it sent Marty McFly, Doc Brown, and Jennifer Parker forward to a stylized vision of 2015 before looping back through the trilogy's own past. The film pushed time travel storytelling into more complex territory, weaving together multiple timelines and consequences that paid off across the trilogy. Its ambition, technical achievement, and cultural footprint, from hoverboards to self-lacing shoes, cemented its place as one of the more inventive science fiction sequels of its decade.

This cell brings together the trilogy's core trio in a single 35mm frame, a pairing collectors value for its rarity relative to solo character cells. Jennifer Parker, Marty McFly, and Doc Brown appearing together points to one of the film's pivotal shared scenes, where the mechanics of the plot depend on all three characters occupying the same moment. For fans of the series, a cell uniting the full central cast carries particular weight, marking a point where the story's threads converge before splitting again into the tangled timeline the sequel is known for.

Authentication Findings 8 checks

Consistent with a 35mm colour optical release print of Back to the Future Part II.

Gauge
35mm, four perforations per frame on both edges; the strip holds three frames.
Perforations
Four per frame on each edge, evenly spaced; punched edges appear clean with no visible tearing.
Soundtrack
Dual variable-area optical track visible along one edge; no Dolby Digital inter-perforation data blocks, DTS timecode stripe, or SDDS outer-edge tracks are visible.
Edge print
Edge text visible but partially legible; characters readable include what appears to be 'M' near the lower edge; full key numbers not resolvable at this size.
Base & colour
Base appears with a slight warm-neutral tint; dye image shows good colour saturation with no visible fading or red shift.
Projection history
Light vertical scratching visible running along the length of the strip, consistent with projection use.
Picture
Positive colour image; two consecutive frames appear to be from the same scene, and one frame shows a visual-effects shot; imagery is consistent with Back to the Future Part II.
Era check
The dual variable-area optical track, colour positive base, and stock appearance are all consistent with a 1989 theatrical release print era.
Read from the original intake capture shown below. Observations only — film is authenticated, not graded.
This original motion picture film element has been examined and authenticated by Crown Grading in partnership with National Film Vault, and encapsulated for archival preservation.
Why so little survivesRelease prints were leased to theaters, not sold. When the run ended they went back to the distributor to be destroyed, and most were. What collectors hold today came from the prints that escaped that order, and no new 35mm prints of these films are being struck.
CROWN SERIAL 000064234
Original Film Capture As received
The film strip as photographed on the light panel at intake, before encapsulation
Photographed on the light panel at intake, before encapsulation — tap to open full size