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National Film Vault

OFFICIAL FILM AUTHENTICATION BY CROWN GRADING
A
AUTHENTIC
CROWN CERTIFIED
Film cell NFV-000002427 Tap to enlarge
MOVIEBack to the Future Part II
SCENEGeorge and Lorraine
FILM FORMAT35mm
YEAR1989
CERTIFICATE IDNFV-000002427
Film Record Public record
Directed by
Robert Zemeckis
Studio
Amblin Entertainment · 108 min
Box office
$332.5M worldwide on a $40M budget
Honors
British Academy Film Awards — 2 wins, 1 nominationAcademy Awards — 1 nominationKids' Choice Award — 1 nominationSaturn Award — 1 nomination
All 2 wins · 4 nominations on record
  • British Academy Film Awards: Best Special Visual Effects
Scholarship
Named in the title of 1 peer-reviewed work
Examples
Library of Congress
Catalog authorities the Library keeps for what appears in this film
Sources: Wikidata · OpenAlex · Library of Congress. The record of the motion picture, not an assessment of this cell.

FILM NOTES

Back to the Future Part II arrived in 1989 from Universal Pictures, riding the enormous success of the original 1985 film and pushing the franchise into bolder territory with parallel timelines, a dystopian 1985 alternate reality, and a trip to a stylized future 2015. Directed by Robert Zemeckis and written with Bob Gale, the sequel deepened the mythology of the Back to the Future saga while expanding its scope considerably. It remains a touchstone of late eighties studio filmmaking, prized for its ambition and technical achievement in an era when sequels rarely dared this much invention.

This cell centers on George and Lorraine McFly, the parents whose lives ripple across every timeline Marty navigates. Collectors seek them out because their relationship is the emotional axis of the entire trilogy, the proof that small changes cascade into vastly different futures. A cell bearing their names likely comes from a moment reflecting on family, continuity, or the fragile stability of the world Marty fights to preserve, captured as a single frame excerpted for collectors from the reel itself.

Authentication Findings 8 checks

Consistent with a 35mm theatrical release print of Back to the Future Part II (1989).

Gauge
35mm, four perforations per frame on both edges; the strip holds three frames.
Perforations
Four per frame on each edge, evenly spaced; punched edges appear clean with no torn or missing perforations visible.
Soundtrack
A variable-area optical track runs along one edge, appearing as a dual bilateral variable-area pattern; no Dolby Digital data blocks, DTS timecode line, or SDDS outer tracks are visible.
Edge print
Edge print reads partially as 'THE' and what appears to be a numeric sequence; full key number not fully legible in this capture.
Base & colour
Base appears with a slight warm-neutral tint; dye image shows rich, saturated colour with no visible fading or red shift.
Projection history
No prominent scratches, splice marks, or cue marks are visible in this capture.
Picture
Positive colour image; all three frames appear to be consecutive frames from a single continuous shot, consistent with a release print of Back to the Future Part II.
Era check
The dual bilateral variable-area optical soundtrack and saturated Eastmancolor-style dye image are consistent with a late-1980s theatrical release print, matching the 1989 production date on record.
Read from the original intake capture shown below. Observations only — film is authenticated, not graded.
This original motion picture film element has been examined and authenticated by Crown Grading in partnership with National Film Vault, and encapsulated for archival preservation.
Why so little survivesRelease prints were leased to theaters, not sold. When the run ended they went back to the distributor to be destroyed, and most were. What collectors hold today came from the prints that escaped that order, and no new 35mm prints of these films are being struck.
CROWN SERIAL 000064284
Original Film Capture As received
The film strip as photographed on the light panel at intake, before encapsulation
Photographed on the light panel at intake, before encapsulation — tap to open full size