CrownGrading Pro
Ready to grade your cards? Submit Cards →
Crown Grading

National Film Vault

OFFICIAL FILM AUTHENTICATION BY CROWN GRADING
A
AUTHENTIC
CROWN CERTIFIED
Film cell NFV-000002429 Tap to enlarge
MOVIEBack to the Future Part II
SCENEGeorge and Lorraine
FILM FORMAT35mm
YEAR1989
CERTIFICATE IDNFV-000002429
Film Record Public record
Directed by
Robert Zemeckis
Studio
Amblin Entertainment · 108 min
Box office
$332.5M worldwide on a $40M budget
Honors
British Academy Film Awards — 2 wins, 1 nominationAcademy Awards — 1 nominationKids' Choice Award — 1 nominationSaturn Award — 1 nomination
All 2 wins · 4 nominations on record
  • British Academy Film Awards: Best Special Visual Effects
Scholarship
Named in the title of 1 peer-reviewed work
Examples
Library of Congress
Catalog authorities the Library keeps for what appears in this film
Sources: Wikidata · OpenAlex · Library of Congress. The record of the motion picture, not an assessment of this cell.

FILM NOTES

Back to the Future Part II arrived from Universal Pictures in 1989, a direct sequel to a defining 1985 blockbuster and the middle chapter of a trilogy shot largely back to back with Part III. Robert Zemeckis expanded the time travel premise into new decades, sending Marty and Doc forward and sideways through the McFly family history. The film pushed effects work further than its predecessor, doubling actors across timelines and ages, and it remains a touchstone of late eighties studio filmmaking for its ambition and its influence on how sequels could reshape their own continuity.

This cell centers on George and Lorraine McFly, the parents whose marriage anchors the entire trilogy's stability. Here both generations of performers are present, Crispin Glover's original George alongside Jeffrey Weissman's later version, and Lea Thompson's Lorraine paired with Michael J. Fox as Marty. Collectors seek this pairing because it captures the family unit at the heart of the story, the domestic core that time travel repeatedly threatens and restores. A cell like this preserves a quiet family moment rather than a stunt or effect, valuable for representing the emotional throughline collectors return to.

Authentication Findings 8 checks

Consistent with a 35mm theatrical release print of Back to the Future Part II (1989).

Gauge
35mm, four perforations per frame on both edges; the strip holds three frames.
Perforations
Four per frame on each edge, evenly spaced, cleanly punched with no visible torn or deformed holes.
Soundtrack
A variable-area optical soundtrack track is visible running along one edge beside the picture area, appearing as a dual-bilateral (two-track) waveform pattern.
Edge print
Edge code reads, mirrored as captured: 'M3 28 69 40' — consistent with a Kodak key-number sequence; 'SAFETY FILM' not legible in this capture.
Base & colour
Base appears with a slight warm-neutral tint; dye image shows full colour saturation with no visible fading or red shift.
Projection history
No visible splices, cue marks, or heavy scratching; faint longitudinal lines are present consistent with a print that has passed through a projector gate.
Picture
Positive colour image; all three frames appear to be from the same continuous shot, and the interior setting and period-appropriate props are consistent with Back to the Future Part II (1989).
Era check
The dual-bilateral variable-area optical track, Kodak key-number format, and colour dye stock are all consistent with a theatrical release print from the late 1980s to early 1990s, matching the 1989 release date on record.
Read from the original intake capture shown below. Observations only — film is authenticated, not graded.
This original motion picture film element has been examined and authenticated by Crown Grading in partnership with National Film Vault, and encapsulated for archival preservation.
Why so little survivesRelease prints were leased to theaters, not sold. When the run ended they went back to the distributor to be destroyed, and most were. What collectors hold today came from the prints that escaped that order, and no new 35mm prints of these films are being struck.
CROWN SERIAL 000064286
Original Film Capture As received
The film strip as photographed on the light panel at intake, before encapsulation
Photographed on the light panel at intake, before encapsulation — tap to open full size