British Academy Film Awards — 2 wins, 1 nominationAcademy Awards — 1 nominationKids' Choice Award — 1 nominationSaturn Award — 1 nominationAll 2 wins · 4 nominations on record
British Academy Film Awards: Best Special Visual Effects
Scholarship
Named in the title of 1 peer-reviewed work
Examples
Sources: Wikidata · OpenAlex · Library of Congress. The record of the motion picture, not an assessment of this cell.
FILM NOTES
Back to the Future Part II arrived from Universal Pictures in 1989, a direct sequel rushed into production alongside Part III to capitalize on the original's success. Robert Zemeckis returned to direct, pushing the franchise into time-hopping structural ambition, with Marty and Doc navigating 2015, an alternate 1985, and back again to 1955. The film expanded the mythology built around the McFly and Baines families, deepening the series' fascination with how small changes ripple across generations.
This cell carries the name Marlene McFly, the daughter glimpsed in the film's future-set 2015 sequences, played by Lisa Marie Nowak but conceived within the dual-role stunt casting Zemeckis used for the McFly children. Lorraine Baines appears here as matriarch of that lineage, the connective thread between eras. Collectors seek this pairing for the genealogical curiosity it represents, a physical artifact tying together the saga's obsession with family continuity, alternate futures, and the Baines name across decades of narrative.
Authentication Findings8 checks
Consistent with a 35mm color theatrical release print of Back to the Future Part II.
Gauge
35mm, four perforations per frame on both edges; the strip holds three frames.
Perforations
Four per frame on each edge, evenly spaced, cleanly punched with no torn or deformed holes visible.
Soundtrack
A variable-area optical track is visible running along one edge beside the picture area, appearing as a single-track analog stripe.
Edge print
Partial alphanumeric key numbers are visible along the edge; full text cannot be resolved at this size but includes what appears to be a sequence code near the top of the strip.
Base & colour
Base appears with a slight warm-neutral tint consistent with color print stock; dye image shows no obvious fading or red shift.
Projection history
Light horizontal scratches are visible in the soundtrack area, consistent with a projected print; no splices or cue marks seen.
Picture
Positive color image; all three frames appear to be consecutive frames from a single continuous shot, consistent with a theatrical release print of Back to the Future Part II.
Era check
A single variable-area optical track without Dolby Digital pixel blocks or DTS timecode is consistent with a standard theatrical release print from 1989, before those formats were introduced.
Read from the original intake capture shown below. Observations only — film is authenticated, not graded.
This original motion picture film element has been examined and authenticated by Crown Grading in partnership with National Film Vault, and encapsulated for archival preservation.
Why so little survivesRelease prints were leased to theaters, not sold. When the run ended they went back to the distributor to be destroyed, and most were. What collectors hold today came from the prints that escaped that order, and no new 35mm prints of these films are being struck.
CROWN SERIAL 000064287
Original Film CaptureAs received
Photographed on the light panel at intake, before encapsulation — tap to open full size
Tap to enlarge
