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National Film Vault

OFFICIAL FILM AUTHENTICATION BY CROWN GRADING
A
AUTHENTIC
CROWN CERTIFIED
Film cell NFV-000002677 Tap to enlarge
MOVIEThe Nightmare Before Christmas
SCENESally and Santa Jack
FILM FORMAT35mm
YEAR1993
CERTIFICATE IDNFV-000002677
Film Record Public record
National Film RegistryLibrary of Congress · Inducted 2023

“The king of dark whimsy, Tim Burton won over an even larger (and decidedly younger) crowd with this delightful stop-motion animated offering. Jack Skellington, whose giant pumpkin head rests precariously on top of his rail-thin body, is the king of Halloween Town; one year he dreams of bringing a little Christmas magic to his humble hamlet.”

Selected for preservation as culturally, historically or aesthetically significant.
Directed by
Henry Selick
Studio
Walt Disney Pictures · Touchstone Pictures · Skellington Productions · 73 min
Box office
$91.2M worldwide on a $24M budget
Honors
Academy Awards — 1 nominationAnnie Awards — 1 nomination
Scholarship
Named in the title of 13 peer-reviewed works
Examples
  • The Nightmare Before Christmas, 2006
  • The Nightmare before Christmas, 2022
  • The Nightmare Before Christmas, 2025
  • Full list on OpenAlex
Sources: Wikidata · Library of Congress · OpenAlex. The record of the motion picture, not an assessment of this cell.

FILM NOTES

FILM NOTES

Released by Touchstone Pictures under the Disney banner in 1993, The Nightmare Before Christmas arrived as a stop-motion production overseen by Tim Burton and directed by Henry Selick, with songs by Danny Elfman. It found only modest box office success on first release but grew into an enduring holiday touchstone, prized for its craftsmanship and its odd, gentle marriage of Halloween and Christmas sensibilities. The film's stature in animation history rests on its handmade puppetry and its willingness to let a macabre premise carry real warmth, making it a perennial favorite among collectors of both animation cels and horror-adjacent holiday material.

This cell brings together Sally, the rag-doll seamstress whose quiet devotion anchors the story's emotional core, and Jack Skellington in his Santa guise, the Pumpkin King's most iconic transformation. The pairing marks a pivotal turn in the film, where Jack's grand ambitions and Sally's steadier affection intersect. For collectors, a cell uniting these two figures represents one of the franchise's most sought-after character combinations, capturing the film's central relationship at its most recognizable.

Authentication Findings 8 checks

Consistent with a 35mm theatrical release print of The Nightmare Before Christmas (1993).

Gauge
35mm, confirmed by four perforations per frame on both edges; the strip holds three frames.
Perforations
Four per frame on both edges; spacing appears even and the punched edges appear clean throughout the visible strip.
Soundtrack
A variable-area optical track is visible running along one edge beside the picture area, consistent with a standard mono or stereo optical release print.
Edge print
Not visible in this capture at sufficient resolution to read manufacturer codes or key numbers.
Base & colour
The base shows a slight warm-neutral tint; the dye image appears fully saturated with no visible fading or colour shift.
Projection history
Light vertical scratching is visible across the frame area, consistent with a print that has passed through a projector gate.
Picture
Positive colour image; all three frames appear to be consecutive frames from a single shot, and the stop-motion puppet characters are consistent with The Nightmare Before Christmas (1993).
Era check
The variable-area optical soundtrack, polyester-base appearance, and fully saturated dye image are all consistent with a 1990s theatrical release print of a Disney/Touchstone title.
Read from the original intake capture shown below. Observations only — film is authenticated, not graded.
This original motion picture film element has been examined and authenticated by Crown Grading in partnership with National Film Vault, and encapsulated for archival preservation.
Why so little survivesRelease prints were leased to theaters, not sold. When the run ended they went back to the distributor to be destroyed, and most were. What collectors hold today came from the prints that escaped that order, and no new 35mm prints of these films are being struck.
CROWN SERIAL 000064534
Original Film Capture As received
The film strip as photographed on the light panel at intake, before encapsulation
Photographed on the light panel at intake, before encapsulation — tap to open full size