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National Film Vault

OFFICIAL FILM AUTHENTICATION BY CROWN GRADING
A
AUTHENTIC
CROWN CERTIFIED
Film cell NFV-000002685 Tap to enlarge
MOVIEThe Nightmare Before Christmas
SCENEJack Skellington
FILM FORMAT35mm
YEAR1993
CERTIFICATE IDNFV-000002685
Film Record Public record
National Film RegistryLibrary of Congress · Inducted 2023

“The king of dark whimsy, Tim Burton won over an even larger (and decidedly younger) crowd with this delightful stop-motion animated offering. Jack Skellington, whose giant pumpkin head rests precariously on top of his rail-thin body, is the king of Halloween Town; one year he dreams of bringing a little Christmas magic to his humble hamlet.”

Selected for preservation as culturally, historically or aesthetically significant.
Directed by
Henry Selick
Studio
Walt Disney Pictures · Touchstone Pictures · Skellington Productions · 73 min
Box office
$91.2M worldwide on a $24M budget
Honors
Academy Awards — 1 nominationAnnie Awards — 1 nomination
Scholarship
Named in the title of 13 peer-reviewed works
Examples
  • The Nightmare Before Christmas, 2006
  • The Nightmare before Christmas, 2022
  • The Nightmare Before Christmas, 2025
  • Full list on OpenAlex
Sources: Wikidata · Library of Congress · OpenAlex. The record of the motion picture, not an assessment of this cell.

FILM NOTES

Released in 1993 through Touchstone Pictures under the Disney banner, The Nightmare Before Christmas arrived as a stop-motion feature unlike anything the studio had attempted before. Directed by Henry Selick and shaped by Tim Burton's vision, it fused musical fantasy with gothic imagery, following Jack Skellington's restless leap from Halloween Town into the world of Christmas. The film underperformed modestly on first release but grew into a perennial favorite, screened every autumn and winter alike, and it remains a touchstone for handcrafted animation in an industry now dominated by digital tools.

This cell carries the name of the film's central figure, the Pumpkin King himself, whose lanky silhouette and searching curiosity define the story's emotional core. Jack is the character collectors most seek out, the figure whose restlessness drives the entire plot from one holiday world into another. A cell bearing his name alone, without further scene description, places him at the heart of the frame, the kind of piece a collector holds as a direct link to the character's own identity rather than a single narrative beat.

Authentication Findings 8 checks

Consistent with a 35mm Dolby Digital theatrical release print of The Nightmare Before Christmas (1993).

Gauge
35mm, four perforations per frame on both edges; the strip holds three frames.
Perforations
Four per frame on each edge; spacing appears even and the punched edges appear clean throughout the visible strip.
Soundtrack
A variable-area optical track is visible along the bottom edge, with a blue Dolby Digital data block stripe running between the perforations on the lower edge, consistent with a dual-format optical release print.
Edge print
The numeral '98' is visible in blue on the upper left edge; no further manufacturer text or key numbers are legible in this capture.
Base & colour
Base appears neutral to very slightly warm; dye image shows rich amber and dark tones with no visible fading or colour shift.
Projection history
No scratches, splice marks or cue marks are visible in this capture.
Picture
Positive colour image; all three frames appear to be consecutive frames from a single continuous shot, consistent with stop-motion animation content matching The Nightmare Before Christmas.
Era check
The combination of a variable-area optical track with a Dolby Digital data block stripe is consistent with a mid-1990s theatrical release print, matching the 1993 release period of the film on record.
Read from the original intake capture shown below. Observations only — film is authenticated, not graded.
This original motion picture film element has been examined and authenticated by Crown Grading in partnership with National Film Vault, and encapsulated for archival preservation.
Why so little survivesRelease prints were leased to theaters, not sold. When the run ended they went back to the distributor to be destroyed, and most were. What collectors hold today came from the prints that escaped that order, and no new 35mm prints of these films are being struck.
CROWN SERIAL 000064542
Original Film Capture As received
The film strip as photographed on the light panel at intake, before encapsulation
Photographed on the light panel at intake, before encapsulation — tap to open full size