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National Film Vault

OFFICIAL FILM AUTHENTICATION BY CROWN GRADING
A
AUTHENTIC
CROWN CERTIFIED
Film cell NFV-000002707 Tap to enlarge
MOVIEThe Nightmare Before Christmas
SCENELock, Shock and Barrel
FILM FORMAT35mm
YEAR1993
CERTIFICATE IDNFV-000002707
Film Record Public record
National Film RegistryLibrary of Congress · Inducted 2023

“The king of dark whimsy, Tim Burton won over an even larger (and decidedly younger) crowd with this delightful stop-motion animated offering. Jack Skellington, whose giant pumpkin head rests precariously on top of his rail-thin body, is the king of Halloween Town; one year he dreams of bringing a little Christmas magic to his humble hamlet.”

Selected for preservation as culturally, historically or aesthetically significant.
Directed by
Henry Selick
Studio
Walt Disney Pictures · Touchstone Pictures · Skellington Productions · 73 min
Box office
$91.2M worldwide on a $24M budget
Honors
Academy Awards — 1 nominationAnnie Awards — 1 nomination
Scholarship
Named in the title of 13 peer-reviewed works
Examples
  • The Nightmare Before Christmas, 2006
  • The Nightmare before Christmas, 2022
  • The Nightmare Before Christmas, 2025
  • Full list on OpenAlex
Sources: Wikidata · Library of Congress · OpenAlex. The record of the motion picture, not an assessment of this cell.

FILM NOTES

Released by Touchstone Pictures under the Disney banner in 1993, The Nightmare Before Christmas arrived as a stop-motion oddity that defied easy categorization, blending Halloween menace with Christmas wonder. Directed by Henry Selick and shaped by Tim Burton's designs, the film became a cult touchstone for its handcrafted artistry at a time when hand-built animation was already fading from major studio slates. Its crossover appeal, spanning two holidays, has kept it in steady circulation among collectors of animation history and design-driven filmmaking.

This cell centers on Lock, Shock and Barrel, the trio of trick-or-treating troublemakers who serve Oogie Boogie throughout the story. Their name alone signals mischief and chaos, the engine of much of the film's darker comic energy. As a trio grouping, this cell holds particular value for collectors seeking the complete set of the film's antagonist children in a single frame, capturing them together rather than isolated individually across separate strips of celluloid history.

Authentication Findings 8 checks

Consistent with a 35mm theatrical release print of The Nightmare Before Christmas (1993).

Gauge
35mm, four perforations per frame on both edges; the strip holds three frames.
Perforations
Four per frame on each edge, evenly spaced; punched edges appear clean with no visible tearing.
Soundtrack
A variable-area optical track is visible running along one edge beside the picture area, appearing as a single-track analog stripe; Dolby Digital pixel blocks are visible in the inter-perforation gaps on the same edge, indicating a hybrid SR/Dolby Digital optical track.
Edge print
Numbers readable along the top edge read: 98, 601, 1, 206, 06, E6 (partially cut); text appears in blue dot-matrix style consistent with Kodak edge coding.
Base & colour
Base appears with a slight warm-neutral tint; the dye image shows rich, saturated colour with no visible fading or red shift.
Projection history
No visible scratches, splice marks, or cue marks are observed on this strip.
Picture
Positive colour image; all three frames appear to be consecutive frames from a single continuous shot, consistent with stop-motion animation content matching The Nightmare Before Christmas.
Era check
The hybrid analog optical plus Dolby Digital inter-perforation data block soundtrack format, combined with the Kodak edge coding style and saturated dye image, is consistent with a theatrical release print from the early-to-mid 1990s.
Read from the original intake capture shown below. Observations only — film is authenticated, not graded.
This original motion picture film element has been examined and authenticated by Crown Grading in partnership with National Film Vault, and encapsulated for archival preservation.
Why so little survivesRelease prints were leased to theaters, not sold. When the run ended they went back to the distributor to be destroyed, and most were. What collectors hold today came from the prints that escaped that order, and no new 35mm prints of these films are being struck.
CROWN SERIAL 000064564
Original Film Capture As received
The film strip as photographed on the light panel at intake, before encapsulation
Photographed on the light panel at intake, before encapsulation — tap to open full size