Tim Burton's The Nightmare Before Christmas was released by Touchstone Pictures in October 1993, produced through Burton's collaboration with director Henry Selick and stop-motion studio Skellington Productions. The film marked a significant moment in animation history, demonstrating that stop-motion could sustain a full theatrical feature with genuine emotional depth. Its gothic visual language and Danny Elfman score gave it an identity unlike anything else in the Disney distribution catalog of the era.
This cell, titled Sally, captures the ragdoll character across three sequential frames that suggest a falling or sinking motion sequence. Her hand-stitched facial features and patchwork construction are clearly legible against the dark background, and the subtle shift in eye position across the frames preserves the incremental quality of stop-motion performance that makes original production cells from this film particularly meaningful to collectors.