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OFFICIAL MOTION PICTURE FILM AUTHENTICATION
A
AUTHENTIC
CROWN CERTIFIED
Film cell 000064670 Tap to enlarge
MOVIEPokémon: The First Movie
SCENEPikachu Falling
FILM FORMAT35mm
YEAR1999
CERTIFICATE ID000064670
Film Record Public record
Directed by
Kunihiko Yuyama
Studio
OLM, Inc. · 75 min
Honors
Animation Kobe Theatrical Film Award — 1 winKids' Choice Award — 1 nomination
All 1 wins · 1 nominations on record
  • Animation Kobe Theatrical Film Award: Animation Kobe Theatrical Film Award
Scholarship
Named in the title of 1 peer-reviewed work
Examples
Sources: Wikidata · OpenAlex. The record of the motion picture, not an assessment of this cell.

FILM NOTES

Pokémon: The First Movie arrived in 1999 from Warner Bros. and Nintendo's Pokémon franchise machine, riding the crest of a cultural wave that had already conquered handheld games, trading cards, and Saturday morning television. Its theatrical release marked the brand's leap to the big screen, introducing Mewtwo's origin story to American audiences and cementing Pikachu as the unofficial face of the entire phenomenon. For a generation of collectors, this film represents the peak of Pokémania, the moment a Japanese media property became inescapable in the West.

This cell isolates Pikachu in a moment of falling, a phrase that speaks to vulnerability rather than the character's usual spark and bounce. Pikachu's status as the franchise mascot makes any single-character cell desirable, but one built around descent suggests weight, stakes, or consequence within the story rather than the merchandising cheer typically associated with the creature. Whether drawn from a pivotal sequence or a quieter beat, a cell like this offers collectors a fragment of narrative gravity, a physical remnant of animation history tied directly to the character who carried the whole enterprise.

Authentication Findings 8 checks

Consistent with a 35mm theatrical release print of Pokémon: The First Movie (1999/1999).

Gauge
35mm, four perforations per frame on both edges; the strip holds two frames side by side in a single horizontal band, suggesting an anamorphic or flat widescreen double-frame layout, with one full frame row visible.
Perforations
Four perforations per frame on both edges; spacing appears even and the punched holes appear cleanly cut with no visible tearing.
Soundtrack
A variable-area optical track is visible running along the lower edge of the picture area, appearing as a narrow band with modulated clear and opaque zones consistent with a mono or stereo optical track; Dolby Digital pixel blocks are not clearly distinguishable at this size, and no DTS timecode stripe or SDDS outer-edge data is visible in this capture.
Edge print
Upper edge reads (mirrored): '5383 189 022 0 20 18 KODAK 195' — consistent with Kodak Vision or similar stock key-number formatting.
Base & colour
The base appears neutral to very slightly cool; the dye image shows strong, saturated colour with deep blacks and vivid purple tones, showing no visible fading or red shift.
Projection history
Horizontal white streaks are visible across the lower portion of the frame area, consistent with projection wear or base abrasion; no splice or cue marks are visible in this capture.
Picture
Positive colour image; the two frames shown appear to be the same moment or consecutive frames of a single shot, and the animated character and background are consistent with the Pokémon: The First Movie animated feature on record.
Era check
The Kodak edge code format, neutral base, saturated dye image, and optical soundtrack placement are all consistent with a 35mm theatrical release print from the late 1990s, matching the 1999–1999 release window of the film on record.
Read from the original intake capture shown below. Observations only — film is authenticated, not graded.
This original motion picture film element has been examined and authenticated by Crown Grading, and encapsulated for archival preservation.
Why so little survivesRelease prints were leased to theaters, not sold. When the run ended they went back to the distributor to be destroyed, and most were. What collectors hold today came from the prints that escaped that order, and no new 35mm prints of these films are being struck.
Original Film Capture As received
The film strip as photographed on the light panel at intake, before encapsulation
Photographed on the light panel at intake, before encapsulation — tap to open full size